Is it possible to regrow your head after such a severe cancellation guillotine?

One of my latest distractions is watching old clips of Seinfeld on the ol’ YouTube.

Apparently, Steven Spielberg used to watch the show a lot during the production of Schindler’s List as a way to decompress from being steeped in depressing drama all day. Which is certainly understandabe, though that makes for a little meta joke in the episode where Jerry gets caught making out with a woman in the theater during a showing of the holocaust biopic.

Seineld will always be comfort food for me. I used to watch it in college a lot, too, as a way to destressify and as a distraction. There’s something wholesomely timeless about the show, in addition to its jampacked hilarity. It’s like a string of gut-busting parables from some comedy Bible. It’ll still be funny and quite watachable even in 50 years. One hundred, for that matter.

The character of Cosmo Kramer, played by Michael Richards, is one of the key ingredients to the show’s success. Kramer is like a classic slapstick goof from a Marx Brothers comedy, or The Three Stooges, offsetting Jerry’s barbed sarcasm, George’s interpersonal insecurities, and Elaine’s faux pas-laden hijinks with a distinct physical comedy. He’s like a human cartoon. Roger Rabbit made flesh.

Of course, Michael Richards is infamous for his 2006 meltdown at the Laugh Factory in Los Angeles. Respondng to a heckler, Richards started slinging racial slurs around like a malfunctioning tennis ball launcher. You can check it out for yourself:

I remember this happening like it was yesterday. On the one hand, what Richards says is obviously horrible, though I’ll admit when I first heard about the whole thing I thought it was just an attempt at making really edgy comedy. Bill Burr once roasted the whole city of Philadelphia in an epic rant the same year as Richards’ ferocious prejudicial diatribe. Other comedians like Sam Kinison and Bill Hicks have gotten into it with bad faith folks in the audience. Dave Chappelle has gotten into hot water over his jokes about transgender people, and he’s still chugging along just fine.

I wasn’t even offended by the leaked cell phone recording because I considered the comedy scene akin to a gladitorial arena. It’s the one place you can let loose and go nuts. It’s live theater, and sometimes shit goes nuclear. You don’t go to a Tarantino film and freak out when a character says “nigger,” do you? You don’t get your panties in a bunch when South Park makes fun of a mentally challenged character, or calls a celebrity a pile of crap, right?

The whole thing was kind of over blown, and I still think a lot of the “outrage” was performative and opportunistic. It’s not like Richards accosted some random guy in the street and started yelling all that obscene stuff. He was throwing it back in the heckler’s face in the worst possible way he could. Anyone who’s ever gotten into a verbal spat with someone on the schoolyard or anywhere knows things can get pretty heated and stuff is often said that is not really meant.

Of course, Richards crossed over the line big time. His racist tirade went super viral and essentially destroyed whatever was left of his career at that point. He hadn’t had much success in anything since his Seinfeld days. Since then, he’s done some bit parts here and there. But lately, he showed up on the red carpet for Jerry Seinfeld’s premier of his Pop Tarts biopic Unfrosted. He’s also released a memoir called Entrances and Exits.

Richards expresses deep sorrow and remorse for his outburst at the Laugh Factory. It still haunts him badly. In an interview with People magazine, he says:

“I was immediately sorry the moment I said it onstage,” Richards, 74, tells PEOPLE. But he knows he doesn’t expect the world to forgive and forget. “I’m not looking for a comeback.”

“My anger was all over the place and it came through hard and fast,” he continues. “Anger is quite a force. But it happened. Rather than run from it, I dove into the deep end and tried to learn from it. It hasn’t been easy.” He adds, “Crisis managers wanted me to do damage control. But as far as I was concerned, the damage was inside of me.”

He goes on to add:

“I’m not racist,” Richard said when discussing the racial slurs he used that night. “I have nothing against Black people. The man who told me I wasn’t funny had just said what I’d been saying to myself for a while. I felt put down. I wanted to put him down.”

Richards’ reflective words are similar to what he said on The Late Show with David Letterman shortly after the outburst as an attempt at damage control. Though his appearance with Seinfeld virtually by his side didn’t help matters, as many at the time considered it insincere, especially with his “I said some bad things to some Afro-Americans,” line. Ugh. Who says “Afro-Americans” who isn’t a racist 1970s newscaster talking about crime in the projects? Total Ron Burgundy moment there.

Richards turned 75 this year. If he was ever going to make a comeback, he’d have done it by now. It’s likely too late for him to make any kind of return to acting in any meaningful way. But I do think it’s time to let him out of time out. Let it all go. People do change over time. Very few have ever been so publicly lambasted like he was. He was the first major celebrity cancellation I can remember. They’re much more common now. Public shaming on such a scale is worse than prison.

In the West, we basically equivocate racists with pedophiles. Richards more than paid the price for a few bad words. It’s not like his Laugh Factory blowout ruined Seinfeld. I still love the show and his character. I say let the guy have peace in his golden years.