Synthwave music has become a popular subgenre of original music on YouTube.
Synthwave is electronic, sort of like modern techno music, generally free of or with limited lyrics, that reflects a certain theme or mood, and often meant to evoke the sci-fi, horror, or action movie genres. It contains themes such as “80’s crime thriller,” “cyberpunk,” or “dark dystopian.”
It’s great to listen to while exercising, studying, getting into the “zone,” or even just relaxing.
Overview
White Bat Audio writes great, original, royalty free and copyright safe synthwave compositions. The artist Karl Casey asks that they be credited “Karl Casey @ White Bat Audio” if their music is used. White Bat Audio’s music can’t be used for remixes, re-recordings with vocals, or simply re-uploaded under another name. However, their music can be used for things like YouTube videos, livestreams, video games, and podcasts, with proper attribution. This even includes videos/projects that are monetized.
Whole albums and songs are available for download on their website, as well as on sites like Spotify and Bandcamp.
White Bat Audio is an active producer, generally uploading content every few days. Their videos come with striking, possibly AI-generated artwork, that makes for very bold and clickable thumbnails, that reflect the mood/genre of the music.
Fo example, here’s a screenshot from a video titled “Cyberpunk Darksynth Remix — Brainscan.”
As of now, the channel has 570 uploads, and 135,000 subscribers. Its most popular video, a two-hour Synthwave mix called “L.A. Sunset” has 1.8 million views.
Monetization
According to AK Records, a recording studio based in Albania, musical artists can earn about $6 USD per 1000 impressions on YouTube, from Google Adsense ads. Artists can also generate income through YouTube’s Content ID, which only works for original music. Content ID automatically scans for whenever someone uploads a video using an artist’s music, and then pays the artist a cut from that video’s ad revenue.
Social Blade estimates that White Bat Audio currently makes anywhere from $344-$5,500 a month just from Adsense revenue, and upwards of $66,100 a year. But that’s only one part of the overall revenue potential one can generate in a music niche.
In addition to selling their music in downloadable packs, White Bat Audio also sells clothing merch on their website.
The channel solicits donations to a PayPal address on its videos.
Interestingly, it does not make use of affiliate links to music or related products. Companies like Bose, and chain stores like Target have affiliate programs, which could potentially provide another source of income for an artist like White Bat Audio. But the channel appears content with its current monetization set-up.
Even without taking advantage of affiliate links, it’s likely the channel till makes a strong, livable income from its music. White Bat Audio uploads frequently enough to indicate the creator either works on the channel full-time, or at least as a dedicated hobby. And there’s no putting a price on the satisfaction that comes from seeing your work used and enjoyed by others.
Niche Deets
Obviously, the synthwave music niche is not for everyone. You have to be able to write music using software or on instruments. But it does show that talented musicians and artists can find a strong and lucrative following on YouTube, no matter how “small” or unusual their particular niche. I had no idea the synthwave subgenre even existed until very recently, and since then, I’ve become a fan.
However, like many other content niches, finding success on YouTube in the music space requires consistency and patience. White Bat Audio has been uploading since June 13, 2017, but only saw significant growth after about three years. Check out the charts below to see what I mean:
Views and subscribers didn’t start to ramp up until around late 2020, early 2021. Unlike other niches like cryptocurrency, that can experience sudden massive upticks in popularity whenever Bitcoin starts mooning or a crypto news story goes viral, the growth of a musical subgenre is likely to be more steady and incremental.
And, of course, YouTube is not the only platform in the game. Spotify has a massive user base. According to Ditto Music, Spotify pays anywhere between $0.003 to $0.005 per stream. That’s $3-$5 per 1000 views. There’s the potential for “double-dipping” revenue by cross-posting between YouTube and Spotify, and other platforms as well. Carl Kasey also has almost 62,000 monthly listeners on Spotify in addition to his large YouTube base. And some of his songs, like “Hackers,” have almost 900,000 streams. Even at the low end of the scale, at $0.003 per stream, that might equate to around $2,700 for just the one song, on Spotify alone.
Looking at White Bat Audio’s YouTube, Spotify, download, merch, and PayPal donation income, it’s not hard to see the artist bringing in a six-figure annual income. If the brand used affiliate links, that income could potentially be way higher.
Summary
Synthwave may not be the most lucrative niche to get into speaking strictly in business terms, but that’s besides the point. White Bat Audio makes great original music that millions of people enjoy, and offers their music for free for other content providers to use in their projects.
Based on the views and subscribers charts above, the future looks bright for the channel, and for others in the same space. If you’re a musician or an artist of any kind, YouTube is a powerful platform to use for distribution and exposure. Securing a reliable income may take some time. But once you’ve built even a small audience, there are all kinds of opportunties to leverage that following and become a succesful, working artist.
Man, it’s 2022 and hustling a substantial side income has never been so easy.
How easy are we talking here? How about watching movies and TV easy? That’s not too hard to do, is it? I mean, it doesn’t get much easier than that, except maybe for sleeping. And no way would anyone catch big bucks while catching some big Zzzzs, right?
Anyway…this niche does not JUST involve watching movies and TV. It’s also about reacting and providing some commentary, and preferably doing so at least somewhat humorously, and maybe with a little personality.
That’s right. I’m talking about the Movie/TV Reaction niche on YouTube.
By the way, if you prefer to watch someone else react to a video from a TV host who retired decades ago, there are a dozen others for your nostalgia-mongering pleasure. Seriously. And they all have thousands to even tens of thousands of views. That’s bonkers.
Really, just type in the title of any movie/TV show or any type of media into YouTube and then put “reaction” afterward, and there are bound to be tens to even hundreds of accounts. Many of which have tens of thousands to even hundreds of thousands of subscribers, and fresh uploads. That means they’re literally getting paid to watch movies and TV.
But wait. How come YouTube hasn’t banned reaction channels for posting copyrighted content?
Obviously you can’t just upload a whole movie or show to YouTube and throw in some occasional observations due to YouTube’s copyright rules. So reaction YouTubers skirt around this issue with good ol’ fair use. Shaun Poore, a popular blogger and software developer, provides some non-lawyerly guidance about fair use, which shows how these types of channels have proliferated in the last few years due to this loophole:
1. Playing an entire episode of Rick and Morty and videotaping yourself laughing isn’t fair use. At a minimum, you need to be providing serious commentary on the episode.
2. The video’s focus needs to be on you and your commentary, not the copyrighted material.
3. You should always be on the screen.
4. The copyrighted material shouldn’t be full screen or played in its entirety.
The reaction video racket is not without its risks. Which is why you’ll see YouTubers blur out the movie or TV show, or only show short segments, to avoid YouTube demonetizing them, or striking their account down altogether.
To be clear, if you’re interested in jumping into this reaction niche, make sure you do your own due diligence on copyright and fair use, and be sure to always follow all of YouTube’s rules.
Of course, this low-effort easy-peasy type of “content” creation has attracted its share of haters and controversy. Redditor KingLordship posted this in /r/NewTubers:
I just really hate the fact that people spend days to create something then a reaction channel sits there and says two words throughout the video, gets monetised, paid and gets a crap ton of views for no effort at all.
Far be it from me to argue with a guy named “KingLordship.”
Then there’s this dude Tanmay Pendse from Quora, a self-described “High Tier Cinephile,” who responds to the question, “Why are there so many ‘reaction channels’ on Youtube?” with this bit of blunt honesty:
This is the stupidest from these trends. “Reaction Videos” they suck.
It is literally someone sits in front of camera & recording the reaction of what they are watching.
“I REACT GOOD” ISN’T A TALENT.
And Tanmay said that three years ago in March, 2019. Poor guy must be raging 24/7 now, as the reaction video trend has only increased like ten-fold since.
Hey, no one said side hustling had to be hard or contribute to the advancement of society. Don’t hate the player, hate the game. Just make sure to record yourself reacting to the game with outrage, so you too can cash in on this still growing niche.
Besides, science says it’s not your fault you like reaction videos. This 2016 article says “mirror neurons” in our brains could be responsible for triggering empathetic feelings. So when you’re watching your favorite YouTuber react to Freddy Krueger ripping a teenager apart, it’s like you’re bonding. Well, sort of. These feelings help to give (or at least simulate) a sense of communal involvment, even acceptance. The idea that “You’re just like me,” because you like the same movie/TV show I do.
In other words, watching a reaction video gives the illusory sense that you’re watching and enjoying something right alongside someone else. A sort of self-induced hypnosis form of socialization. It’s no surprise that many reaction channels saw explosive growth during the Covid-19 quarantine. Many of the accounts I examined for this article started around 2020, or saw a hockey stick spurt in viewership around that time.
Reaction channels have been around almost since YouTube’s inception, afterall. Starting out with the infamous maze scare prank that was big stuff back in the day. But it goes back even farther than that. Remember America’s Funniest Home Videos? As host Tom Bergeron used to say, “If you get it on tape, you could get it in cash.” Words to live by.
Now that we understand the history, the science, and the controvery behind this reaction channel phenomenon, let’s get down to what’s most important here:
Money.
Do reaction channels make money? That’s a Kool-Aid Man-level “Oh, yeah!”
I examined five of these reaction channels, ranging in size from small to medium. From only a few tens of thousands of subs to a few hundred thousand. Making sure to pick ones that were concentrated solely on “reaction.” Many reaction channels incorporate lengthy reviews of the movies or shows watched. I tried to stick with ones that were more “spur of the moment.” Review channels like Red Letter Media or Chris Stuckmann are obviously a seperate niche altogether. I also did not include movie news-centric channels that only have some reaction aspect, like Beyond the Trailer.
I also tried to pick channels with “average” people, as opposed to people with colorful “YouTube personalities.” I wanted to see what kind of success a “typical” person might encounter with one of these channels. Of course, the more engaging and friendly you are on camera, the more likely you are to attract subs, even for a low-effort niche like reaction videos. And if you’re an attractive female, you’ll have an even bigger advantage. It’s not to say anyone can’t land pay dirt kicking back and watching flicks. As I found, this niche has a huge mix of different types. But the two keys I found are that being funny and genuine led to the best results.
Screenshot by author.
It’s even better if there’s a bit of a culture clash, or “fish out of water” angle in your reaction videos. Take Ashleigh Burton of Millennial Movie Monday, a “millennial who has been sheltered from every classic movie you can think of.” Ashley first started posting regularly in February, 2020, and offers lively reactions on her channel. Here’s a screenshot of her Social Blade details:
Screenshot by author.
For an active two-year old channel with very simple content, that’s not a bad haul from Google Adsense. But as I found, Adsense is hardly the best revenue stream for many of these reaction YouTubers. Check out what Ashley’s bringing in with Patreon:
Screenshot by author.
Patreon gives content creators a chance to earn an additional revenue stream by offering their fans a monthly membership. From what I found in my search, the most lucrative Patreon accounts offered exclusive perks, like behind-the-scenes insights, early access to new content, polls to vote on which movies to watch, or livestreams. Just looking at some of the Patreon accounts was very instructive. If you want the best results, you need to be active about not just producing new content regularly, but also building a community with your fans.
So, if we take the average of Social Blade’s estimated monthly earnings, $2,283, and add in the Patreon revenue, we come to $10,236 a month. That’s over $122,000 a year for watching movies. That doesn’t count any donations Ashleigh’s fans send to her P.O. Box. Ashleigh posts a Monthly Live Unboxing livestream where she opens up gifts fans have sent her. She’s received everything from shirts, scarves, cards, books, to Little Debbie Birthday Cakes. In adddion, I’ve seen fans pay as much as $200 for Super Chat donations in Ashleigh’s livestreams.
When you add in Adsense, Patreon, and the donations, it’s possible Ashleigh could be raking in close to $15k a month or more. Not a bad side gig.
Screenshot by author.
Next up we have Popcorn in Bed, whose husband one day pointed out to her that she’d been “hiding under a rock my whole life with how many ‘amazing’ movies I haven’t seen (according to him).” Cassie, who runs PiB, started just a little over a year ago, in January, 2021, but since then has racked up substantial subs, and has some decent monthly ad income:
Screenshot by author.
Like Ashleigh, Cassie has the Patreon hustle down to a science. Check her page out:
Screenshot by author.
While Cassie’s Patreon page above doesn’t show her exact monthly income, there’s a way to get a rough estimate. Going back to Ashleigh’s page, if you divide the number of monthly patrons into the amount she makes each month, you come to about $8.18 per person. Ashley has a membership tier of $3, $8, $10, $20, and even $100. The $100 one is actually sold out. So, at $8.18, it shows she has a pretty committed and engaged audience.
Now, looking at Cassie (Popcorn in Bed), she has four membership levels at $3, $6, $10, and $15. It’s reasonable to think each Patron might be in the average of those numbers, if Cassie’s results are similar to Ashleigh’s. That would mean each patron comes out to $7 a month. Seven bucks times 2,587 total Patrons comes out to $18,109. So, that plus the Google Adsense results (an average estimate of $5,897) equals $24,007 a month. Then you have donations and Super Chats. Cassie also does regular livestream gift unboxings. Oh, and then there’s PiB MERCH.
All told, Cassie could be getting paid $300k+ PER YEAR to watch movies.
Excuse me while I sit here with my mind blown for a minute or two.
To put that sort of income in perspective, according to Medscape Physician Compensation Report, 2019, Pathologists earn an average annual income of $308,000. According to U.S. News, the top 25 percent of lawyers in the U.S. make $189,250 a year. But unlike going to law school or medical school for years, being a movie reaction YouTuber doesn’t involve going into potentially hundreds of thousands of dollars of student loan debt.
Now, to be clear, individual results will vary when it comes to YouTube. Ashleigh and Cassie’s success with reaction videos may not be typical. But even doing a cursory glance through YouTube at the numerous reaction channels that exist out there, you’ll find dozens that have north of 100k subs. If you post regularly, engage with your audience, and leverage various revenue sources like Patreon or merchandising, you can make a substantial income with this niche.
But let’s look at a more “down to earth” example.
Screenshot by author.
Shanelle started her channel two years ago in June of 2020, and like many other reaction YouTubers, saw some growth during the Covid lockdowns. Shanelle is also an actress and wants to work in comedy.
Screenshot by author.
But what accounts for the lower revenue and subscription numbers compared to Ashleigh Burton and Cassie of Popcorn in Bed? I suspect this may simply boil down to fewer postings. Shanelle’s updates average out to almost once a week for the last two years. Ashleigh has uploaded 223 videos in about the same time span. While Cassie has done 210 in almost 18 months. YouTube really does reward higher consistency, and this is also the case with reaction videos. This is a niche with a lot of increasing competition. So if you’re not posting heavily, it’s going to be harder to hold onto and build an audience.
But even if you want to pursue the reaction niche on more of a part-time basis, Shanell’s channel shows you can still make a decent side income. Hey, not everyone has the time or interest to sit around watching movies all day, even if it might pay ridicously well. She does not have a Patreon page, a P.O. Box for donations, and does few livestreams. However, in a recent livestream, I noticed she did make some high-dollar Super Chats.
But what if you and a friend want to do a reaction video? Or if you’re in a relationship, and both you and your partner want to score some sweet reaction video cash? You’re in luck, because there are plenty of profitable channels that do just that.
Screenshot by author.
Frankenstein’s Lab is a reaction channel run by “Frankenstein” and his cousin Rondo, who react to “movie trailers, music videos, sports, tv shows, and everything in between.” The two cousins have been at it for almost five years, having started back in May, 2017, and have built up a decent following since then.
I included this account to show that some reaction channels stretch back from before the Dark Times, before the Covid-19 lockdowns. And also to show that starting a reaction channel is not always as simple as going for the obvious choices, like Marvel movies or Star Wars. You have to stretch out and diversify the types of content you’re covering. Frankenstein’s Lab started to get some traction about a year after starting. It still saw really inconsistent view counts, ranging anywhere from a few hundred to tens of thousands. Then they did really well with a few videos reacting to comedian Bill Burr, as well as other comedians like Theo Von.
What’s cool about these reaction channels is you’re potentially exposing people to a lot of content they might not have seen otherwise. So don’t be afraid to get really eclectic with your choices, and mix it up. Just because an entertainer or film may have a limited following, you might strike gold reacting to their videos because you’re introducing something different to a new audience. You can also ride the coattails of a new trend or person, too. It was around the late teens era when Theo Von was starting to get popular, so Frankenstein’s Lab rode some of that wave.
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Frankenstein’s Lab is a real “workman’s” channel, having consistenty posted for almost five years now. It didn’t seem to benefit much from a “Covid Bump” in popularity. It was already well on its way before then. The two cousins have a small Patreon following. But they do utilize PayPal and CashApp, so it’s hard to say what their channel’s income might be. It obviously pulls in enough to be worth it to keep going.
Screenshot by author.
Finally, there’s ScreenSlurp, run by Australian couple Nick and Em. They started their channel in September, 2020, and have built up a pretty solid following.
Screenshot by author.
While the couple has been successful in monetizing their channel like many others in the reaction niche, and have a modest Patreon membership, Nick appears to be using their growing internet platform to help get a creative project of his off the ground. Their Instagram page has a link to a Kickstarter for an epic fantasy comic called “Creature Dwells” that Nick is trying to produce. As of now, the Kickstarter has already surpassed its funding goal. That’s a pretty cool double win there. You make a living watching movies, and help launch your own artistic career.
So, if you’re an artist or writer, and you’re looking to gain exposure or build a fanbase for your material, consider starting a YouTube channel.
Finally, these five channels are just a very small sampling of the vast number out there in the reaction video niche. Despite its controversy, there are no signs the trend is going away anytime soon. If anything, it’s growing and evolving.
If you’re considering getting into this lucrative niche, here are a few quick takeaways I learned in my research. Some of these tips overlap with what you’d need to do starting any YouTube channel, while others are specific to this niche.
Brush up on YouTube’s copyright and fair use policies, and be sure to follow the rules at all times. No sense in starting a channel if you’re just going to get banned.
Post regularly and often. Hey, you’re watching movies and TV. This shouldn’t be too hard, right? Yeah, I know, there’s this thing called the “outdoors” and “having a life.” But if you want to build an audience these days, you’ve got to rifle content out there like a World War II turret gunner.
Use Patreon! Make sure you offer plenty of extras and exclusives for your audience. You can post full-length movies on Patreon without having to cut them up to satisfy the fair use rule. Ashleigh and Cassie use that feature for their accounts, and it’s done great for them in raking in memberships.
Build a community with your subscribers. That means livestreams, lots of interaction, and maybe even tiny glimpses into your personal life. Remember “mirror neurons.” You want your subscribers to think of you as a cool friend they want to watch movies with. It’s all about building that sense of empathy and connection.
Don’t be afraid to cover stuff that’s not “popular.” You never know what might land. Or maybe your particular take on something is really unique and humorous, and that triggers the YouTube algorithm in your favor. Think of Frankenstein’s Lab when they did the Bill Burr and Theo Von videos. They went from a few thousand views on average, to millions, for those comedian-centered reactions.
Oh, and competition doesn’t seem to matter much for this niche, either. The YouTube ecosystem is so massive, there’s room for all sorts of similar, competing channels.
All of the channels I found in this niche have thousands to even hundreds of thousands of followers, and were all started within the last year. Some even had videos on virtually identical topics.
So, what niche am I talking about?
The “famous quotes” niche.
Basically, it’s just a slideshow of quotes by a famous person, usually against a black or decorative backdrop, set to copyright-free music, and read either by a human voiceover, or an AI voice that sounds pretty close to human.
That’s it. These videos feature quotes from all kinds of people. From celebrities like Marilyn Monroe, to writers like Oscar Wilde, philosophers like Confucius, to scientists like Albert Einstein. This niche falls mostly in the educational category, though it also crosses over with the historical, motivational and self-development niches as well.
This niche has undoubtedly been around for many years, both on YouTube and on boring old static websites. But it seems to have recently experienced a bit of a resurgence. I researched four channels, and all of them have experienced significant growth in just the last few months.
As a YouTube enthusiast, and someone who tries to be a “student of markets,” as legendary copywriter Gary Halbert says, I love discovering new niches. It’s fascinating to me to see the kinds of things people like. What sorts of trends suddenly become popular. And then seeing opportunistic YouTubers take advantage of those latest trends and start channels that become sucessful.
Oh, and another thing. This quotes niche is also one that could be easily outsourced and automated.
Screenshot by author.
The biggest channel I found was the appropriatly named Quotes channel. At the time of this writing, this channel has 454,000 subscribers. The screenshot above was taken about a week ago. That means in just the last seven days, this channels has gained over 10,000 new subscribers!
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According to Social Blade, a site that tracks and ranks different forms of social media, and estimates advertising income, Quotes currently makes somewhere between $950-$15,200 a month. Even if you take the lower estimate of that, say, closer to $2000-$3,000, that’s still pretty good, considering this channel generally updates every few days. And that’s just from Google Adsense.
The Quotes YouTube channel was started only last September, and in the eight months since has built up almost a 500,000 subscriber base. Not bad for a channel with only about 80 uploads.
Screenshot by author.
Here’s another fast growing quotes channel: Wisdom of the Ages. The above screenshot was also taken about a week ago. Since then, Wisdom’s subscriber count has increased to 109,000, for an increase of almost 15,000. This quotes niche is really exploding recently, and shows little signs of slowing down.
Wisdom mixes it up by making the video titles more descriptive and engaging.
Screenshot by Author.
As you can see in the above screenshot, Wisdom of the Ages makes somewhere between $365-$5,800 in monthly revenue from Google Adsense. That’s pretty decent for a channel that generally only posts about once a week. The channel was started almost 10 months ago. Its most popular video features quotes by Confucius, with almost 3 million views.
Screenshot by Author.
Well Said! is another quotes channel I found. This one has garnered over 2,000,000 views since its inception in February. However, according to Social Blade, this channel has set its subscriber and info profile to private. It does not appear to be monetized, either. I opened up the channel in incognito mode, and played several videos. There were no bumper ads or overlays.
Given the channel’s impressive viewer count in only four months, and the fact that its most popular video has over 600,000 views, it’s quite likely this channel has surpassed the threshold for YouTube monetization (1,000 subscribers and 4,000 watch hours in the last 12 months). It’s possible the channel creator has decided to forego monetization. Currently, the channel is updated every few days.
Screenshot by author.
Lastly, there’s Quote of the Day, a channel actively started only about two months ago, but now has almost 14,000 subscribers. Like the other screenshots before, the one above was also taken a week ago. That’s 6,000 new subscribers in just seven days.
Quote of the Day has been very busy, even as a brand new channel in what seemingly might be a “saturated” niche. In its eight short weeks of life, here’s what this channel has accomplished according to its Social Blade profile:
Screenshot by Author.
Quote of the Day takes advantage of YouTube’s Shorts, as well. One thing I noticed that’s really cool about this niche, is that it’s very transferable. You could easily upload quotes videos to other places like TikTok and Instagram to increase and diversify revenue streams.
Quote of the Day also makes use of Amazon affiliate marketing, as seen in the shot below:
Screenshot by author.
Quote of the Day is inspiring to me, and not just because of its content, but because it shows you don’t have to be the first, the second, or even somewhere in the middle, to start a successful YouTube channel in a growing niche. You could even be dead last, and still build a decent following. There are millions (billions, probably at this point) of people watching YouTube everyday. These four channels show that there’s enough room for everybody in even the smaller niches.