I Love ‘Avatar’ and Haters Can Choke

Source: Official ‘Avatar: The Way of Water’ Poster from 20th Century Studios via WDW News Today

“Avatar is just Fern Gully in space.”

“Avatar is just Pocahontas in space.”

“Avatar is a white savior movie…in space.”

“Avatar left no pop culture footprint.”

“Avatar is the most successful failure ever.”

“Avatar has phenomenal CGI but a terrible story and stock characters.”

Yeah, yeah, go fuck yourselves.

You know, for a movie so many people keep insisting sucks and was evidently “forgotten” after premiering in December 2009, you’d think they were talking about something like Delgo. That weird, creepy-looking animation from 2008 that became one of the biggest box office bombs in history, making barely a million bucks against a $40,000,000 budget.

Delgo, like Avatar, is set in a mythical fantasy land where conflict arises between two warring alien clans, and features two lovers from opposing sides trying to find romance despite their differences in heritage.

But then the two films diverge quite massively, as Delgo legit blows, while Avatar is a bonafide masterpiece and a technical milestone that made nearly $2.7 billion in its initial theatrical run.

Avatar kicks ass, and I’m tired of people pretending that it doesn’t.

The same losers who shit on Avatar are the same ones who made Star Wars: The Force Awakens the number one highest grossing U.S. domestic release in box office history. And that JJ Abrams-directed fan fiction is nothing but a bigger budget remake of Episode IV, and has about as much creativity as an elephant fart. You know it and I know it.

Oooh, ooh, instead of a Death Star, we’re going to have a planet-sized Death Star this time! And instead of blowing up just one planet, it’s going to blow up several! And we’re going to make a FEMALE as our protagonist. A female lead? OMG that’s unprecedented! And we’re even going to have a black guy in it as a lead too (though in sequels we’re going to reduce his importance until he’s buffoonishly inconsequential so much the actor wants nothing more to do with the franchise). Never been done!

So which is it, idiots? Avatar’s just a ripoff of Fern Gully and Pocahontas using a familiar hero’s journey template, but Force Awakens is somehow the greatest thing ever put to film? You can’t have it both ways.

Source: Screenshot of Google results for “Avatar is…”

I’m not going into all the technical details about why Avatar’s CGI and motion capture technology was so ground breaking. It’s all been said before, I’m pressed for time, and I’m not that much of a dork to get into the nitty gritty tech stuff.

I will, however, compare Avatar to a jury of its peers — other massive science-fiction/action film franchises — which is how everyone should appraise James Cameron’s movie.

First, some blunt honesty.

Avatar is obviously not The Godfather. It’s not some deep A24 indy film about some guy’s existential middle-aged crisis or something. It’s a finely crafted popcorn flick with phenomenal special effects, with some superficial environmentalist themes. That’s about it. I love it because it’s a transportive amusement park ride, and executes its story just about perfectly. A rare feat few movies accomplish. Avatar is still the best and most immersive movie theater experience I’ve EVER had. It does everything a sci-fi/action film should do, and way more. Yet for some reason everyone judges Avatar harshly, while giving substantially lesser franchises an easy pass.

People only hate Avatar at this point becuse they think they’re supposed to. It’s cool and hip to be anti-Avatar because it’s so popular. And I get it. Sometimes popular stuff does indeed suck ass. God knows I’ll never understand the appeal of Twilight or Fifty Shades, but I’m not going to sit here and act like I’m better than people who like those franchises. Most times, things are popular for a good reason. They connect with people in a visceral and profound way.

Anyway, we’ve already peeked at the new Star Wars films, Avatar’s closest competitor that’s also within the massive Disney ecosystem. And what do we see? A disorganized mess with no vision, no scope, no outline, no coherency, and no theme. Seriously, what the fuck are the newest Star Wars products even about? Empire bad, robed people good? LOL, GTFO! They stand for nothing!

Whether you hate Avatar or not, it’s virtually impossible to walk away from seeing that film and not get the pro-environmental and anti-imperialist messages, however hamfisted those themes are handled. And whether you agree or disagree with those themes, the fact that a writer/director is able to inject his vision into a spectacle film about giant blue people in a coherent and frankly meanginful way is honestly pretty impressive.

Now let’s take a look at another competitor — the Marvel films. I will grant you that some of the Marvel installments like Infinity War, Captain America: Winter Soldier, and even the first Guardians of the Galaxy, are pretty good. The mocap technology used to bring Thanos to life is incredible. And I have no idea how producer and plot captain Kevin Feige manages to interweave so many characters and storylines together between so many directors and writers. But for the most part, your typical Marvel movie is servicable, without saying much or doing much to stick with you. Really, do you remember anything from Iron Man 2, or Captain Marvel, or The Incredible Hulk? I don’t. And nowadays, the Marvel mega-franchise has become increasingly watered-down and impossible to follow with all the Disney+ stuff and about ten films released every year. Marvel is proof there is sometimes too much of a good thing. I’ve given up on the superhero soap opera simply because there’s too much to keep track of. Marvel used to feel special with maybe two releases a year. Now it feels forgettable and paint-by-numbers.

Meanwhile, James Cameron took 13 years — 13 years! — to make Avatar: The Way of Water, the sequel to the 2009 film. Could you imagine any other franchise taking that level of care and patience when it came to producing a sequel? Could you even imagine any director delaying an Avengers film for almost a decade and a half until the tech was “right?” Of course you couldn’t. And that’s because Marvel films, for all their occassional creativity and spectacle, are mostly business products at the end of the day. They are there to enhance Disney’s bottom line.

But what is Avatar: The Way of Water? According to the creator himself, it’s the “worst business case in movie history.” TWOW apparently has to gross almost $2 billion just to break even. Or like one sixth the current market cap of Dogecoin. Its budget is a bloated potential time bomb to Disney’s already floundering stock price. A cathedral to one director’s massive ego to make the biggest film of all time thrice.

And you know what? That’s awesome. Not many artists are willing to go all in on their own work time after time again, costs be damned. Hell, most people aren’t even willing to invest 10% of their money without making sure it’s in a properly “diversified portfolio.” And most artists can’t sell themselves for shit, and have as much confidence as a teenage boy with a face full of acne standing in front of his high school crush. Not James “Big Balls” Cameron, who’s hit a grand slam twice in a row with Titanic and Avatar both taking up the number one wordwide box office crown, and declared himself the “King of the World.” Can he do it a third time? Time will tell.

So, what mega sci-fi franchise is next? Jurassic World? Ha ha. Yeah, right. Each installment has devolved so much it got to the point where the 2015 hit was basically a meta joke of itself, and is mostly known for its lead actress unrealistically running around in heels the whole time. Seriously, Bryce Dallas Howard, what’s your deal? Even Debbie Reynolds wore flats for some of the dance routines in Singin’ in the Rain. And her dance partner was Gene Kelly. Who was your co-star again? Oh, yeah, this goober:

Source: Parks and Recs (via Den of Geek)

Jurassic Park is a brilliant novel and film, without a doubt. But looking at the franchise collectively, and you can’t help but but feel exhausted by its purely business-driven cynicism. It’s like looking at a giant Excel spreadsheet with a T-Rex pasted in the corner. Pass.

Now what? Transformers? The cinematic equivalent of what a 13-year old kid would puke up after binging all night on Mountain Dew and Snickers bars? A franchise filled with robot on robot action scenes so messy and convoluted you need shock therapy to recover after seeing them? It’s kind of amazing that for a franchise that ran for 11 years, it only produced one decent film — Bumblebee. The last of the live action Transformers films since its release in 2018, and actually made the least amount of money. Which is a bad look for the once mighty audience of this franchise, as when they were finally presented a sequel of quality, they turned their noses up to it.

Oh, but I’m sure Transformers: Rise of the Beasts is totally going to rejuvenate the franchise when it comes out next year. Can’t wait for that one.

The Matrix? You talk as if there are sequels to the 1999 groundbreaking bullet-time hit. Maybe one day there will be. But for now, we’ll just have to keep waiting.

The Terminator franchise, aka the Old Arnie Show? Even as a big fan of the original two Cameron films, I can’t bring myself to acknowledge the sequels/reboots/remakes/reimaginings/whatever you want to call them, even as fun escapism. And as far as artistry or filmmaking craft go, they are obviously woefully short of the original and Judgment Day.

It’s not all negative, though. Avatar does have franchise peers in its genre.

The Alien Franchise, including the two Ridley Scott Prometheus/Alien: Covenant films, is probably the closest to Avatar in terms of special effects and directorial vision. Not to mention polarization among audiences, with many still split on the thematically muddled messes the last two Scott films have presented. But unlike Avatar, with its colorful, lush world, the Alien films are restrained to their bleak and nihilistic horror settings. Not exactly a fair comparison. And while the latest films to feature the creature with acid for blood haven’t been knock outs, they’re far better crafted than 99% of what you’ll find in your typical horror/sci-fi genre.

Another peer franchise to Avatar would have to be the new Planet of the Apes films, with the next sequel Kingdom of the Planet of the Apes scheduled to premier in May, 2024. But unlike Avatar’s blowout box office numbers, Apes has largely flown under the radar, with Dawn of the Planet of the Apes (the franchise’s highest-grossing film to date) only grossing under one quarter of what Avatar did. It really goes to show how hard it is to find an audience these days, even when you have groundbreaking special effects, great writing, a classic IP, and a strong cast, which the Apes films have in spades.

Will Avatar: The Way of Water become another smash hit like the original when it comes out on December 15? There’s no way to know for sure. But I do know that it’s one of the few films I’ve actually been looking forward to seeing for a long time. And I’m damn sure I’m not the only one who feels that way.

Put against its rivals, Avatar stands head and shoulders above most of its competition in every categorical measure. Special effects, story, cast, box office draw, vision, and yes, even impact and legacy. Who exactly is still talking about Transformers? No one’s even discussing Jurassic World: Dominion, and that movie came out this year. But everyone will be talking about the new Avatar sequel. Not to mention seeing it again and again.

I love Avatar and haters can choke.

Did Humanity Peak in the Late ‘90s-Early 2000s?

Source: Screenshot of ZubyMusic Twitter.

Or is this just pedestalization of the past?

I’ve followed ZubyMusic on Twitter for almost three years now, at least since around 2019.

If you’re not familiar with the artist, “Zuby,” short for Nzube Olisaebuka Udezue, is a 36-year old English rapper educated at Oxford University, with a substantial and growing audience of worldwide fans. Known mostly for his music, he’s also a strong conservative voice, often criticizing identity politics, and is a Christian. He’s self-released three albums, and has a podcast and YouTube channel.

I’m not a Christian myself, nor do I listen to rap. In fact, I’ve never once even listened to Zuby’s music, as I think “Christian” and “rap” sounds about as cringe as almost anything the “Christian” world tries to attach itself to in the secular realm in order to be hip and relevant. Christian comedy. Christian rock. Christian movies. Ugh. No, thanks.

Still, I like Zuby because he often makes interesting and thought-provoking tweets. Even if I don’t always agree, it’s nice to get a different or unique perspective on current events, especially on Twitter. It’s funny how conservativism is actually quite maintream and common in everyday life, yet online it’s seen as odd and “alternative,” with liberalism and left-wing politics seen as the default. In reality, it’s much more evenly split.

Last October Zuby tweeted the above comment, which I frankly dismissed almost immediately. I think there’s a temptation to glamorize one’s youth, seeing it as some bygone golden age. Zuby, born in 1986, would have had his most formative childhood years in the ’90s, and been a teen for the first half of the ’00s. I remember John Stewart on The Daily Show saying something like “you don’t miss that era, you just miss being a carefree child,” in response to a pre-sex scandal disgraced Bill O’Reilly saying how he felt the decade of the 1950’s (O’Reilly’s youth) constituted Americas best years. Politically, Stewart and myself are quite opposed, though I have to admit the guy could be pretty insightful at times.

Nostalgia-gazing is something particularly characteristic of the right wing. And while it’s soothing and addictive, it’s also as pointless and counter-productive as the left’s own habit of future utopia fantasizing. Neither side seems to want to deal with the here and the now, preferring to longingly await a DeLorean to whisk them away to another timeline. No wonder things remains such a mess, when both sides abdicate their responsibility in the present.

Then this morning I was reminded of Zuby’s tweet by Nick Sherwood, author of The Social Virus: Social Media’s Psychological and Social Impact on America (And What We Can Do About It). He posted a series of tweets articulating why he feels Zuby is correct.

Source: Screenshot of N. Sherwood’s tweet.

The above was followed by a long thread of reasons and supportive evidence, some of which I thought had credence. Others I found questionable. And by “others,” I mean most. And by “questionable” I mean mostly B.S.

To begin, I don’t think it’s possible to declare any particular era in human history a “peak” at all, given that so many cultures and nations around the world are undergoing vastly different experiences than others, both positive and negative.

If we’re talking strictly the Western world (America and Western Europe), one could make the argument the late ’90s to early 2000s certainly wasn’t a bad era. The Cold War had ended, and the economy and job market were strong. But that’s looking at things from the macro view. For someone working a cash register in a small town in Idaho, was their life any better or worse, or much different for that matter, than ten years prior?

Sherwood continues:

Source: Screenshot of Sherwood’s Tweet.

I agree with the first half of the second sentence, if by “progress” we’re talking technologically and socially. No doubt the ’90s was an era of progress. But so was the ’80s, the ’70s, and almost every decade before. At least in America and other places in the world. “Progress” is also subjective. No doubt Lenin and Stalin would have considered their Communist Revolution in Russia “progress.” But was it? Big doubt.

The second half of the statement is basically meaningless. How do you even measure levels of overindulgence and entitlement? These are aspects of human nature, and I don’t think humanity has evolved much, if at all, in just the past 25 years. So I’d say there’s a good chance that we’re seeing the same levels of indulgence and entitlement now that we saw a quarter-century ago. Maybe now it’s just more visible due to social media.

Moving onto his next points:

Source: Screenshot of N. Sherwood’s tweet.

Sherwood seems to posit that the late ’90s/early 2000’s comprised some kind of Goldilocks “sweet spot” era in which we had the just the “right amount” of technology. Not too much to where it became omnipresent, like the smartphone in everyone’s pocket, but just enough to where it acted in the background.

Again, this is highly subjective. One man’s too much technology is another man’s not enough. I can certainly remember people fixating on computers even as far back as the mid-90s, when the internet became more accessible to the mainstream.

Infrastructurally speaking, we’ve been dependent on computers probably since the 1960s. Almost all of our telecommunications, major medical equipment, civil defense systems, etc. all depend on computers and microchips.

If we’re talking about how the ’90s was the beginning of computers separating people into their own bubbles as everything went digital, there’s an argument for that. I do think people were more fluid socially back then than they are now. Younger generations today can’t seem to effectively communicate unless it’s through a screen. It was Millennials, afterall, who popularized “ghosting.” When people are reduced to simple online avatars, it’s much easier to dismiss their humanity and snap them out of your existence. People today shy from conflict more readily, and terms like “social anxiety” are prevalant.

Source: Screenwhot of Sherwood’s tweet.

I wrote for a newspaper as a teen. Had my own column. I also worked in the printing industry for eight years as it transitioned into the digital age. Newspapers are cool, but I wouldn’t associate them specifically as being the best or even a good source of information necessarily. At least, not anymore than radio or TV. Local news hasn’t really changed in 25 years, either. Traffic on I-95. Some guy got busted for dealing drugs. A kindergarten teacher retires. New waffle restaurant just opened. The song remains the same.

It’s true we get hit way more with B.S. news alerts and app notifications. But that’s a simple fix. I either delete a misbehaving app, or don’t turn on notifications at all. The only alerts I get on my phone are from my Medium app, which is actually starting to get on my nerves.

But again, Sherwood is really making more of a case against smartphones, and by extension social media, and not so much a case for the ‘90s/2000s being some golden era. You can’t just argue in the negative. Smartphones didn’t exist during the Bubonic Plague in Europe either, and I don’t think anyone would argue those were good times. Not unless they’re some hardcore “survival of the fittest” Darwinist fanatic, or something.

Source: Screenshot of Sherwood’s tweet.

What?! Has this guy not heard of the John Birch Society, which handed out leaflets and pamphlets pandering to very specific and extreme right wing beliefs WAY back in the ’50s and ‘60s?

Or The Daily Worker newspaper, published by the Communist Party USA back in the 1920s?

Or Bop Magazine, delivering steamy servings of teen heart throbs like Jonathan Taylor Thomas, Johnny Depp, and Jonathan Brandis?

Hmmm…if the ’90s was peak anything, it was was Peak Hot Guys Named John.

Source: Screenshot of Sherwood’s tweet.

No matter how many streaming or cable channel options exist, there are effectively only a small number that any one person will ever regularly watch, as there is only so much attention one can give, and limited time.

And why is the expansion of entertainment media necessarily a bad thing? You wouldn’t say the same about the millions of books that have been printed in the last few hundred years. So why would TV shows and movies be any different. There being five million Star Wars movies/shows/books/toys is annoying to me, yes, but it’s not like it ruins the quality of my life. I just ignore it, like anyone older than twelve and who possesses a frontal lobe should.

Source: Screenshot of Sherwood’s tweet.

Ah, so media is only “good” if EVERYONE is watching so they can dicuss it the next morning around the water cooler. Got it. That being the case, I guess the daily state broadcasts North Korea puts out to all its slaves, er, “citizens” must be of the highest excellence. I’m sure KCT fosters something a bit more than a “semblance of monoculture.”

It’s true that much of pop culture and media is fractured amongst varying demographics and audiences. But that’s always been the case. I can remember my friends and I discussing how freaking awesome the T-1000 was around the school cafeteria the year Terminator 2: Judgment Day came out, only to get blank stares from the girls, who themselves were talking about Beauty and the Beast. Then going home and my step-dad telling me to shut-up about “Turdinator” while watching a re-run of Welcome Back Kotter. Then running to my mom to whine that her husband insulted my hero Arnold, only for her to shut the door in my face so she could watch Knots Landing.

Like that South Park videogame, it’s always been a fractured but whole, Sherwood.

Monoculture is a myth. No matter how big a movie is, it’s likely not even three percent of the world population will even see it. Take Avatar, the highest grossing movie of all time not adjusted for inflation, at almost $3 billion in global ticket sales. In 2009, the year Avatar premiered, if the average movie ticket was $7.50, then that means a maximum of 400,000,000 saw James Cameron’s remake of Fern Gully in theaters, out of around 7 billion people. Except that number doesn’t count the people who went to go see the movie repeatedly. And it doesn’t count the fact that many people paid way more to see it in glorious 3D. If you cut that number in half to 200,000,000, that means only about 3% of the world population saw Avatar. Even if you double it to 6%, that’s still pitifully low in the grand scheme of things. And that’s the biggest movie ever released.

To put that in perspective, the biggest religion in the world, according to the Pew Research Center, is Christianity, and it hasn’t even cracked 1/3 of the global population with its 2.2 billion followers.

Source: Screenshot of Sherwood’s tweet.

No, Chapter 1 of the internet was “How Much Freaking Longer is This Thing Going to Take to Log On, Goddammit!” With the sub-chapter “Don’t Use the Phone I’m on AIM Right Now!” Chapter Two was “When Are We Getting Broadband, Everyone Else Has It Now!”

The internet sucked 98% of the time back in the ’90s. It wasn’t cool. It wasn’t aweome. You didn’t find anything “fresh.” It was where you IM’d your friends from school until some creep found your teen chat room and tried to have cybersex with you. There’s a reason why To Catch a Predator came out in the mid-2000s right after the supposed “golden age” of the internet. It’s because the world wide web, due to its anonymity and wild west novelty, empowered a lot of perverts in the early days.

The internet was also a place for piracy. Remember Napster, which single-handedly almost destroyed the entire music industry? “I Love the ’90s” my ass, especially if you played in a band named Metallica.

The internet was weird, distrusted, seen as a fleeting fad by some, buggy, slow, mostly useless, and the driver of the Dot Com meltdown. Saying the internet was “cool” back then before high-speed and regulation is like saying bloodletting was cool before modern medicine discovered viruses and bacteria.

Source: Screenshot of Sherwood’s tweet.

Ah yes, that wonderful period in the late ’90s and early 2000s when politicians never pandered for votes, didn’t treat those across the aisle like horrid zombies, and joined arms as fellow Americans. Back then we didn’t have contested elections, or impeachment trials, or “vast right wing conspiracies,” or third party presidential runs conducted by eccentric billionaires. Politicians didn’t lie. They never even used foul language. Certainly they didn’t have affairs with interns, or cheat on their cancer-stricken wives. Or invade countries based on false claims of weapons of mass destruction. None of that ever happened.

Source: Screenshot of Sherwood’s tweet.

If kids growing up and maturing sooner is your benchmark for the golden years, then you’d have to look way past the ’90s. Back to, say, during WWII, when kids lied about their age so they could go to war.

Take the case of Calvin Graham, for instance. Born in Canton, TX, Graham signed up for the U.S. Navy after the bombing of Pearl Harbor at 12 years old. He’d later get wounded by sharpnel at the Naval Battle of Gaudalcanal, for which he’d receive the Bronze Star and the Purple Heart. Graham would eventually get booted from the Navy after attending his grandmother’s funeral without permission. Get married at age 14. Become a father a year later. Divorced at 17. Then join the Marine Corps at 17 to serve in the Korean War. Then break his back in 1951 after falling off a pier.

Look at that. Two wars. Two branches of the military. Married and divorced. Has a kid. And even gets his first case of workman’s comp. All before most kids even learn how to shave.

Sorry, kids were not free-roaming Mad Max badasses in the ’90s. They were mostly soft, squishy, sticky bags of shit. Eating Lucky Charms, Pop Tarts, and Ellio’s Pizza. Capable only of Nintendo marathons, watching Saturday morning cartoons, remembering the Konami code, and making fun of Michael Jackson’s face.

I don’t know what causes people to glamorize and pedestalize the past. Nostalgia has practically become its own genre now, with Hollywood dumping ‘80s-inspired crap like Stranger Things on us constantly like Nickelodeon slime. I remember the ’80s, man. I was a kid then, too. Well, mostly I remember watching TV and movies during the late ’80s, and not having to worry about a whole hell of a lot. What do you mean the Russkies could drop a nuke on us any moment? I don’t care, I’m watching Inspector Gadget here and drinking chocolate milk.

For sure, sometimes I miss not having any responsibility other than deciding what kind of dinosaur I want to be for Halloween. But it’s kind of ridiculous and suspect to declare any particular era “humanity’s peak” when it just so happens to coincide with your childhood. It almost sounds like indulgence and entitlement, come to think of it.

Think of it this way. Right now there’s a horrible war going on in Ukraine. It’s the worst of times for anyone who lives there now. But somewhere in Colorado, Florida, Canada, or maybe even Japan, some kid somewhere is having the time of his life. He’ll grow up thinking it never got any better than the late teens and twenties. The ’90s and early 2000s will be as foreign to him as the ’60s and ’70s are to a Millennial or Gen Z’er.

And you know what? He’ll probably be right. At least he didn’t have to deal with the Macarena.

Should the Voting Age Be Raised to 28?

Source: Screenshot of Peter Schiff’s Twitter

Is voting an inherent right? Or is it something that should be “earned” with maturity?

I was scrolling through Twitter on Election Day afternoon when I came across Peter Schiff’s tweet, which I’ve screenshot above.

If you aren’t familiar with Schiff, he’s a popular gold bug, media commentator, and CEO of Euro Pacific Capital. He famously hates Bitcoin, considers all digital currencies Ponzi schemes, and is often regarded as an economic “doom and gloomer.”

He’s 59 years old, lives in Puerto Rico for the tax benefits, loves gold, has been warning of an imminent global economic collapse for almost two decades now, and favors fiscal conservatism.

He’s the quintessential Boomer’s Boomer.

I like Peter Schiff somewhat. I think he’s right on many things. Not Bitcoin. But I mostly agree with his overall ethos.

Which is why his tweet on voting yesterday afternoon got me thinking.

Admittedly, the knee-jerk response to his proposal to raise the voting age to 28 is a resounding “No!” It seems preposterous on its face. How dare you suggest taking the right to vote away from people who are old enough to join the military and die for their country.

You can drink at 21. You can sign up for six figures of student loan debt at 18, even if you’re going to a posh private art school to learn fingerpainting. You pay taxes even when you’re still a minor. You can sign business deals at 18.

So why should you not be able to vote starting at 18?

I can remember graduating high school in the thick of the 2000 presidential election, and actively looking forward to casting my first ballot. I even volunteered to work for the GOP on a street reconstruction project, as the convention was being held in Philadelphia, where I lived. The idea of being able to have even a very small say in who ran the government was an exciting prospect for me as a newly-minted adult.

Of course, that election became infamous for being undecided until December, hung up by “hanging chads” in Florida. George W. Bush slipped through with a razor-thin margin of victory, thanks in part to a Supreme Court ruling to stop the recount process. It was a cold-plunge initiation for me into the oftentimes crazy democratic process.

Schiff’s proposal may sound anti-democratic on its face. But I don’t think it’s that simple. It’s about applying more standards to a democratic practice that Schiff feels is sacred, beyond just the incidental component of age. You could argue it puts more of a premium on democracy. Something freely given is rarely valued as much as something earned, afterall.

We apply standards to nearly everything in life. You have to pass a test to obtain a driver’s license, and you must abide by the rules of the road if you intend to keep your license. You have to apply to college, and pass your classes if you expect to graduate. You have to show up to work on time and do the job if you want to stay employed.

So why not apply stricter standards to voting?

At its core is the idea that those with a bigger stake in society should have a bigger say in how it runs. Why should the middle-aged father or mother of two kids, who own a house, pay property taxes, work two jobs, have no greater say in who governs them than the 19-year-old unemployed college student living in their basement?

Schiff aticulates another angle to his argument here, in response to a tweet:

Source: Screenshot of Peter Schiff’s Twitter

I disagree with Schiff’s assumption that older voters necessarily equal a better government. Some of the Founding Fathers were in their mid to late 20s and early 30s during the American Revolution. In fact, the average age of the delegates during the Constitutional Convention was 42. If anything, Schiff’s argument puts a premium on middle-age. Schiff, at age 59, inadvertantly undercuts his own age group.

Nor do I think that just because someone has kids or a mortgage that they’re more qualified to vote than someone who doesn’t. Much less that they’re more mature. There are plenty of dumb parents and irresponsible people who got conned into bad mortgages. And there are also plenty of saavy wise-beyond-their-years young people well under Schiff’s critical age of 28.

Schiff’s stance is likely a recipe for stagnation. But I’d be remiss not to point out that underlying his argument is the idea of wanting to filter out younger voters because so many of them vote in socialist policies that increase taxes on people like Schiff and workers (like myself) in general. Schiff’s proposal is more about trying to protect his wealth than in advocating some more pristine version of democracy.

And he’s not wrong about wanting to do that. As someone who spent years working in the harsh North Dakota oilfields to obtain some measure of financial freedom, I abhor the idea of a bunch of freeloaders coming along and helping themselves to my money out of some half-baked notion of “equity.”

But then again, it’s not really the young, socialist voters that are the biggest threat to an investor’s net worth. Bad policies by the Federal Reserve that caused it to print too much money, have now led to spiraling inflation, which has helped crater the stock market and economy. And I don’t see too many young faces sitting on that banking board at all. So much for the wisdom and maturity that supposedly comes along with age.

Schiff is right, however, in wanting to apply stricter standards to the power and privilege of voting. I don’t think voting should be a free for all. Otherwise you run the risk of mob rule. Voting should be regarded as an important duty, given to those who have proven they care about this country and have a vested interest in securing their community.

But is age the best way to apply the standard of civic responsbility?

I can think of better metrics. Living independently. Paying your own bills. Being free of consumer debt. Being gainfully employed or financially secure. Not having a criminal record. All things that aren’t necessarily age-related.

I do think you should be able to prove that you aren’t a burden to society and dependent on others (outside of factors beyond your control like physical handicaps, etc.), if you intend to have a say via voting in how it runs. Voting is something that should be earned rather than just handed out by virtue of reaching a certain magical age.

“I Only Date White Guys,” She Said To Me, a (Mostly) White Guy

Is it racist to not date outside your own race? And why being biracial/biethnic sucks.

Photo by Robin Schreiner from Pexels: https://www.pexels.com/photo/arches-hallway-inside-building-2261166/

She had just broken up with her boyfriend, moved from a small town in Montana to North Dakota to live with a few friends of mine, and had small (almost baby) teeth. I don’t remember much else. She was cute, I guess, dirty blonde, blue or green-eyed, with an unremarkable personality. Though I had never shown interest in her, that didn’t stop a certain friend from trying to play Cupid.

“I only date white guys,” she said, my friend reported to me later.

I have to admit, even though I wasn’t attracted to her and had not expressed interest, that stung. We were living in the Martian landscape of the Bakken during the height of the oil boom. Women were few and far between, and usually taken. My friend had moved in with his girlfriend, an attractive and ambitious Philippina who worked at the local paper. I was 30, broke, in debt, having just started a new job. Not exactly in the market or mindset for a partner at the time, but it’s not like I would have turned the right one down had she come along.

Like any typical guy or girl, I’d been rejected for all kinds of reasons in the past. And most times, it never bothered me. Except this time it really did. It’s particularly rough to be rejected solely on race/ethnicity. I’d rather be called ugly, or told I have a boring personality. Those are things you can at least control. You can dress better, get fitter, even get plastic surgery if you think it’ll help. You can pick up a hobby, join an improv group, join Toastmasters, take dancing lessons, etc. There are all sorts of ways you can upgrade yourself in the dating marketplace. In fact, most criteria that determines your value to potential partners are things which you can improve.

But race/ethnicity? No changing that.

It’s such a superficial thing to be the sole reason for someone to dismiss you, romantic or otherwise. It’s like you could have a great personality, make high income, have all the features of a “good partner,” maybe even be attractive, and it’s all meaningless because you’re the wrong shade. Talk about demoralizing.

This rejection also bothered because it didn’t make much sense. It wasn’t even accurate. I mean, I am white. Mostly, anyway. About 65% Western European, mixed with about 25% Mexican/Native American, and 10% other regions. Most people guess I’m Italian because of my darker skin, while others pick up on the Hispanic part. But I don’t speak Spanish. I don’t “identify” with my Latino side, if that means anything. Being white isn’t really a culture. It’s more like a racial neutrality due to its majority in the U.S. So in that sense, “culturally,” I’m as white as the next guy. Really, I’m just American. Isn’t that enough? Or does the “one drop rule” still apply when it comes to defining “white guy,” and what is acceptably “white” in terms of partner selection?

Making matters worse, some time long before my encounter with the White Guy Rejection, I had an equally screwy talk-to-the-hand from another female. This one a Latina. My exact shade even, if you were to put a Sherwin-Williams color palette against our skin. I was going to college in Chicago at the time. We were working together at a market research company. She turned me down because I was “too white.”

Too white? Whaaat? Take a good look at me. I’m almost as equally tan as Ray Romano, and no one would say he’s “too white.” What does that even mean? Likely, it had to do with our different cultural and socio-economic backgrounds, I guess. She from the South Side of Chicago. Me, from lower-middle class Pennsylvania suburbia. I lacked the proper street cred probably. So alas, there’d be no West Side Story here.

Being biethnic or biracial sucks. I can’t say I’ve ever enjoyed looking mixed. It’s done nothing for me. If I could choose, I’d have just been plain white instead of “off-white.” It would have made things simpler.

I mean, which is it anyway? Am I too white, or not a white guy at all? Being mixed is like a racial version of Schrodinger’s Cat. I’m both too white and not white enough.

Being racially mixed is nothing but problems, unless you have some kind of “offsetting” quality, like being really attractive. Otherwise, it’s a shit deal. And no, I don’t give a fuck about supposed “multiracial beauty” or some “post-racial culture” fantasy people like to use to sell the idea.

But what about Tiger Woods? Or (insert random racially-mixed celebrity).

Tiger Woods is NOT black/white/asian. Tiger Woods’s race is ATTRACTIVE, RICH, and FAMOUS. Those things supercede race, and always have.

But going back to the White Guy Preferrer, it doesn’t stop there. Remember my friend, Cupid? He was part Mexican, too. More than me, actually. But he had fair skin and blue eyes, which some Mexicans have. So even though technically I was “whiter” culturally speaking (he could speak Spanish, for instance), that didn’t matter. All that mattered was the skin tone. He was a bona fide White Guy. I was nada.

Two years ago, I took one of those DNA tests through 23andMe. And like many other people who’ve taken them, the results were surprising. I found out I’m like 12-15% Irish, for instance. I took screenshots of my results, which I’ve displayed below.

Source: My DNA.
Source: My DNA
Source : My DNA

When I was younger, I struggled a great deal with my racial “identity.” But these days, I see myself only as an individual. The results above are just fun trivia. I don’t base my identity on race. Doing so is reductionist, and limits your ability to see yourself as whole person. I don’t believe in or accept “identity politics.” In fact, if there’s one benefit to being mixed, it’s like having the Uno reverse card to the race card. Yes, some of my ancestors were probably “oppressed.” So what? Don’t care. And some were likely “oppressors,” too. Also so what? And don’t care. Attempts to white guilt me have all fallen woefully short.

But at the same time, it’s not like you can go through life and pretend race doesn’t matter. You’ll be confronted with it one way or another. Even if it’s just in the mate selection game.

For the record, I don’t really care whether I’m a “White Guy” or not. The issue is purely academic to me now. As far as I’m concerned, I’m my own “race.” Just like I consider myself my own “generation,” refusing to align with Gen-Xers or Millennials. I’m Generation Dean. A lesser known but substantially greater era that started in 1982 and runs concurrent with the others like a multiverse dimension.

I kid, of course, but not really.

Anyway, getting back to the question posted below the title. Is it racist to not date outside your race?

No. I don’t think so. You can’t help who you’re attracted or not attracted to. I don’t hold it against the White Guy Preferrer or my South Side Latina, even if they have diametrically opposing definitions of “whiteness.” Whiteness can mean different things to different people, just as any race can, I suppose. Sometimes people use race as code for culture. Other times they actually do mean skin color specifically. Either way, I don’t really care. No one’s entitled to being liked or attracted to. And even if someone doesn’t like you for the most ridiculous of reasons, so what?

Personally, skin color by itself is not a big deal to me when it comes to potential mate appraisal. I’m much simpler. I ask women out if I think they’re hot, end of story.

40 Isn’t “Over the Hill,” But Death Does Move in Next Door

And occasionally knocks on your door late at night.

Photo by Renato Danyi from Pexels: https://www.pexels.com/photo/grey-skulls-piled-on-ground-1096925/

It’s strange how when you’re really young — early to late teens, even 20s — the idea of being a middle-aged adult seems ridiculously remote and impossible.

Getting older is for other people. Your parents, for example, who were born ancient. Or your aunts and uncles. Or that one teacher who’s been teaching algebra since the Apollo moon missions. People to whom the rules of life apply. Not you, of course.

And then it happens. Slowly, steadily, with the inevitability of Michael Myers stalking you across the neighborhood.

For sure, some people age better than others. I remember always being told that when I turned 30, that’d be “it.” Meaning I’d suddenly develop a massive beer belly, joint and back problems, lose my hair, incur all sorts of health problems, you name it. Thirty was the “turning midnight” in the Cinderella story of aging, apparently.

As it turned out, I actually lost weight and kept it off during my 30s. I still have all my hair, with some noble grays. And with the exception of a nasty flu back in 2019, I’ve hardly had any health issues. I never even caught Covid.

Actually, I ended my 30s in better shape than when I started them.

I’ve worked hard and tried my best to live a healthy life. Mostly, that just comes down to eating a proper diet and getting regular exercise. And maybe some genetics. I maintain that the rate at which you age is partially due to choices you make about whether to live a healthy life or not.

Six months ago I turned 40. A supposedly major milestone of a year. True middle-age. “Over the hill,” etc.

Though if we’re being technical, you won’t know when you’re truly middle-age until you’re dead, after which it won’t really matter. If you were to die at 40, then 20 was actually your true “middle-age.” Whereas if you die at 100, then 50 is your middle-aged point.

Statistically, men tend to die around 80 years old. So, it’s fair to say 40 is half-way to the grave.

And honestly, that’s exactly how it feels.

For me, forty is less a physical feeling than a mental one. For sure my body’s not as limber and springy as it was even five years ago. I am stronger. I still lift weights, and fit into jeans with a 32″ waist. I’m in better shape now than I’ve ever been.

A co-worker recently expressed shock when I revealed I was forty, telling me I look 30. I don’t actually believe him. Maybe I could pass for 35. But 30? I don’t think so.

He credited “clean living” for my youthful appearance. And he’s not wrong. I don’t drink, smoke, or do drugs. I’m all about boring sobriety. But also — and perhaps most importantly — I don’t have kids, and I’ve never been married. I’ve avoided a lot of major pitfalls many sadly fall into by middle-age. A crushing mortgage. A nasty divorce and alimony. Debt and work pressures. I’m debt-free, and live a quiet, modest life.

Physically, I may be aging slower. But mentally, that’s another matter. And I’m not talking about the capacity to learn or the brain’s elasticity. I read and write a lot. I’m curious about the world. My neurons are still growing and forming attachments.

The problem is that as you age you start to give less of a shit about anything, because little excites you. Life starts to lose its flavor, so to speak, until it feels like bland day-long chewed bubblegum. Increasingly less surprises you. The patterns of life start to become repetitive. It’s like sitting down to watch a bad movie and by the halfway point you’ve already figured out all the twists and turns.

I don’t mean you know everything. Not at all. Quite the opposite. It’s just that more and more matters less and less to you overall. It’s a kind of weird Nihilism Fog. It’s not that nothing matters. It’s that you see the long-term futility in a lot of human behavior, especially your own actions. Man’s miniscule place against monolithic, eternal Nature. It’s why I don’t get excited or care much about politics. Everything’s cyclical. One political party will dominate this year, and next year it will be the next one. Rinse, wash, repeat. Big deal.

This can make it hard to stay motivated. You feel like you’re going through the motions. You’re like a robot sometimes. With rare exceptions, very little excites you. If your mood was a echocardiogram, it would mainly be a flat line with ocassional bounces and spikes. Outwardly, you keep on a smiling, social-friendly mask, of course. Inside, you look like the faces on those Easter Island heads.

Example: I was at a job fair a while back, and the recruiter — this late 20s, maybe early 30s looking guy — was excitedly telling me about all the great company benefits. Like 401(k), life insurance, annual pay raises, and three-tier health options. You know, benefits that virtually EVERY company under the fu*king sun offers these days. I smiled and nodded, amused that he could maintain such fervor for corporate minutiae, or at least pretend to.

Another example: Very few movies look worth watching. If you are over 35 and are still a big fan of Marvel/Star Wars and Disney stuff, I don’t understand you. There’s been one new movie this year I’ve really liked: Top Gun: Maverick. Because it actually made me feel something. I suspect Avatar 2 will have been worth the wait, too.

The older you get, the harder it is to be impressed. On the flip side, you really value those rare moments when things are done right.

I suppose the doldrums of middle-age are what drive so many people to make sudden life changes. Career pivots. Divorces or marriages. Having children. Moving to another place. Going back to school. Picking up a new hobby. Cutting off old friendships. Building new ones. Changing appearances. Losing weight. Exercising. Or other, more extreme things, like joining a cult or religion. Anything to stimulate, and simulate the effervesence of youth.

A mid-life crisis is like racing around trying to put out a fire that doesn’t exist, except in your head.

But it’s not without reason. The aging process is simply Death moving closer. When you’re an adolescent or teen, the Grim Reaper isn’t even in the neighborhood, usually. He’s in the next town over. By your 20s, Death’s living in the upscale part of town, where all the “real adults” and old people live. By your 30s, he may have moved to your block. But by your 40s, he’s next door. You see him barbecuing on the weekends. He waves to you as you leave your driveway to go to work. Sometimes, he even plays pranks on you. Late at night you might hear a banging on your door. When you go to answer, there’s no one there. You know it’s Death, of course. But it’s not like you’re going over to his house to confront him. He’s a big guy. Bald. Drives a Harley. Always wears black. He’s just not the kind of guy you mess with.

When you’re 50, Death moves into your house. And no, he ain’t paying rent. By 60, he’s sleeping in the top bunk above you. By 70+, you’re bedmates. After that, well, you become a little more than just friends.

These days, everyone is so focused on stopping the physical effects of aging. Everyone wants to look young. And with exercise, a good diet, sunscreen, lots of hydration, avoiding vices, and maybe a touch of plastic surgery, you can Dorian Gray yourself a good long while. Look at Tom Cruise. That guy has looked 35 since 1997.

But stopping the mental effects of aging is much tricker. And while I suspect it involves a bit of self-deception or purposeful distraction, I applaud those who are able to pull it off.

Three People Who Destroyed Their Lives in Less Than 60 Seconds

Going from champ to chump at Ludicrous Speed. Three stories.

Photo by Pixabay from Pexels: https://www.pexels.com/photo/flare-of-fire-on-wood-with-black-smokes-57461/

They say it takes a lifetime to build a reputation, but only seconds to destroy one.

That’s especially true nowadays with the internet and social media. It’s almost impossible to just move to another town and start over in life. Bing knows all. And Google, too, I guess.

As we’ll see in the cases below, sometimes one little bad decision can lead to truly catstrophic (and even deadly) consequences.

Here are three such stories.

1.) Justine Sacco

How long does it take to tweet? A few seconds? Maybe only one or two. That’s about as long as it probably took Ms. Justine Sacco, the former senior director of corporate communications at IAC to tweet this little “joke” out in 2013, and inadvertantly become global enemy number one online:

Source: Screenshot of Justine Sacco’s tweet via Buzzfeed News

At the time the 30-year old PR rep was traveling home to South Africa on the holidays to visit family. Right after she tweeted, her flight took off, and she went to sleep, unaware of the whirlwind she had just unleashed.

At first Sacco’s tweet went largely ignored, as she only had 170 followers. But then Sam Biddle, the editor of Gawker’s Valleywag, discovered the tweet via an anonymous tip, and retweeted it out to his 15,000 followers.

From there outrage and fury spread like a viral outbreak, and the hashtag #HasJustineLandedYet trended worldwide, as people eagerly awaited Ms. Sacco to land and get the nasty surprise of her life. There was the added dramatic irony component, as Ms. Sacco went the whole 11-hour flight unaware she was trending all over the internet as a virtual punching bag.

Ms. Sacco got sacked from her cushy PR job, naturally. Even while insisting that she didn’t mean for her joke to come across as insensitive and bigoted. Instead, she says she meant it as a commentary on Western privilege, stating in an interview with the NY Times:

To put it simply, I wasn’t trying to raise awareness of AIDS or piss off the world or ruin my life. Living in America puts us in a bit of a bubble when it comes to what is going on in the third world. I was making fun of that bubble.

Meanwhile, the bubble was unamused.

The internet, with all its collective wisdom of mankind, obviously disagreed with the intent behind Ms. Sacco’s ham-handed cultural musings. After losing her job, and becoming a worldwide hate magnet, she did eventually rebound. She volunteered in Addis Ababa in a PR job for a stint. Then landed a marketing and promotions gig at Hot or Not, a website used to rank stranger’s looks on a scale of 1 to 10, that was transitioning into a dating service.

Wait, Hot or Not? That site’s still around? I remember being a healthy 5.5 there back in the day.

:::sad slide whistle:::

Anyway, in a surprise twist, Ms. Sacco later returned to her former employer IAC, where she works in corporate communications for Match Group, the online dating company. According to her LinkedIn page, she’s still there.

Sacco’s experience at least proves it is possible to reconstitute yourself after being trampled to smithereens by a frenzied mob online, and get to a somewhat happy ending. I say good for her. Hopefully next time she decides to pop off irreverently about racy cultural stereotypes, she’ll remember she’s not a character on South Park.

2. Dr. Maurice Wolin (aka “talldreamy_doc”)

Source: Screenshot from “To Catch a Predator”

Ahh, To Catch a Predator, the gift that keeps on giving. That show, and the community of perv-busters it spawned, has proven a never ending source of entertainment.

Honestly, it was tough to decide which pervert to pick, as there is a cornucopia of creeps to choose from, all thanks to the hard work of giga chad Chris Handsome. But for me, Dr. Wolin stands head and shoulders (literally) above everyone else, given his high status and education, not to mention the staggering cost of his sick blunder. Most of the cretins caught on TCAP were already bottom-feeding low life losers anyway, with few prospects in life, who could barely even dress themselves.

Not Dr. Wolin. The year was 2006. The 48-year old was a prominent cancer research director in the San Fransisco area, married to a wife who was also a doctor, who had two daughters. Using the screen name “talldreamy_doc,” Dr. Wolin chatted online with a girl he believed to be 13 years old, but who was actually a decoy employed by an organization called Perverted Justice.

Wait — “talldreamy_doc?” Tall? Yes (Wolin was 6’2″). Doc? Yes. Dreamy? Oh, hell no.

After making a number of disgusting solicitations toward the decoy, Wolin made plans for a meet-up. Driving from Piedmont, CA to Peteluma, the affluent physician strolled inside the trap house, no doubt envisioning how he was about to indulge all his sick fantasies, only to be met by a camera crew and the police. Wolin desperately tried to fight the charges in a two-year legal battle. He even hired Blair Berk, a celebrity attorney who’d once represented Leonardo DiCaprio.

Guess that makes him the second person she’s represented who’s life got sunk like the Titanic for chasing some girl.

Eventually Wolin plead no contest. He was sentenced to two months of house arrest, three years probation, and lifetime registry as a sex offender. In addition, his license to practice medicine was revoked.

Out of all the TCAP cases, this particular one seriously amazes and disturbs me the most because of Dr. Wolin’s precipitous fall from grace, and the quickness of how his life unraveled. He’d only chatted with the decoy for a few days, maybe weeks, before visiting. Then it took all of a minute from the time he left his car, entered the backyard, to realizing he’d actually walked into a sex sting.

Imagine that. Throwing away a medical license you spent eight or more years in school to acquire, a high-paying, well-respected career, your reputation, and the respect of your family. All gone in less time than it takes to read the back of a Trix cereal box. And all for what? To be branded a sex offender forever. I mean, the guy could have cured cancer the next day at his lab and still nobody would ever think of him as anything other than a pedo. What a moron.

Dr. Wolin’s wife did later divorce him. And unlike Sacco’s story above, there is no happy ending here. Dr. Wolin recently committed suicide in January 2021, according to an offical coronor’s report as investigated by YouTuber “The Skip Tracer.”

3.) Garry Hoy

Source: https://commons.wikimedia.org/wiki/File:TD_Centre_View_from_Yonge_and_King.JPG

I have to admit, when I first heard about the tragic tale of Garry Hoy, I didn’t believe it. I thought it had to be a myth. There was just no way a lawyer could ever do something that wreckless and foolish. It seemed impossible.

But we’ve just seen a C-suite corporate ladder climber self-immolate, and a top cancer doc commit seppuku. Hey, why not an attorney, too? It sure seems these supposed “elite” types aren’t as bright as we’re led to believe.

Garry Hoy was a highly successful and regarded corporate and securities lawyer who worked at the Toronto-based law firm Holden Day Wilson. His office was located on the 24th floor of the Torono-Dominion Bank Tower Building (seen in the above pic).

Hoy liked to perform a little parlor trick on occassion. He would run into the office windows to show off their strength, surprising and shocking guests. On July 9, 1993, while showing some visiting law students around. Hoy decided to demonstrate his love of resilent window glass. He slammed into the glass the first time, bouncing off like he had so many times before. But when he tried a second time, he wound up crashing through and plunging 24 stories to his death. For sure he proved the toughness of the glass. It hadn’t shattered upon impact. Instead, it had popped out of its frame.

Police declared Hoy’s death “accidental self-defenestration,” which aside from sounding like a Jeopardy category, is a polite way of describing a dude accidentally killing himself in a stupidly avoidable way.

I mean, if you’re going to risk your life at high heights like that, at least do something cool like Philippe Petit did, the French high-wire artist who walked across the Twin Towers in 1974. Throwing yourself against a window? Kind of lame, really.

Hoy’s plummet may have even sunk his firm. Within three years of his lousy Peter Pan impression there was a mass exodus of attorneys, who evidently didn’t like working under the dark cloud of the Darwin Award-style death Hoy had left in his wake. In 1996, the firm finally closed for good.

Word on the street is the firm tried to sue gravity. And lost.

So, a good lesson there. If you’re a lawyer, please leave all the crazy antics to Saul Goodman. Chicago Sunroof, anyone?

As Nicolas Cage proved in the year 2000, you can steal almost any car in 60 seconds, not to mention Angelie Jolie’s heart. But as these poor people above proved, you can destroy your life just as quickly, if not faster. So be careful out there.

Screw Racism, Sexism, Economic Inequality, Corona, Fentanyl, Gentrification, Inflation, Wars, and TikTok — THIS is What’s Destroying This Country

And no, it’s not even puberty blockers for kiddies.

Photo by Mikhail Nilov from Pexels: https://www.pexels.com/photo/a-woman-biting-a-sugar-cube-8670115/

America. Land of the Lard Asses. Home of the Whopper and the Starbucks early morning milkshake. One nation, under obesity, with corndogs and Big Gulps for all.

I’m talking about SUGAR, of course. America’s original white powder addiction, which makes crack cocaine look like Stevia.

And that’s putting it lightly.

A little while ago I was at Wal-Mart and I had quite possibly the worst experience I’ve ever had in my life.

It was mid-morning. Around 9:30 AM. I forget exactly what I was there for, but I know I had to return something. So I was standing in line at customer service.

Ordinarily, I’m as focused as a stagecoach Clydesdale wearing blinders when I go to Wally World. I make a point to maintain precise tunnel vision. I won’t risk having my eyesight sullied by the likes of what you’ll see at a typical Flaw-Mart.

It started off no different that morning. I’d made it inside, blissfully unaware of any bothersome surrounding entitites.

Then I noticed the kid.

Or more precisely, this tubby, oozing, sluggish, pasty-skinned, hair-a-mussed, jelly-bellied, fat body of an adolescent hanging off his pear-shaped big-bootied mother. His cherry-red lips flapping as he whined and moaned for a snack. His voice like a buzzing mosquito. His sock-sandled feet clacking on the shiny tile floor in tune with his incessant dribblings for something to eat.

The mother, a beleaguered blimp in a floral-printed dress that looked like the print design from a ’70s sofa, huffed, and reached down into her cart. And what did she pull out?

A box of ice cream sandwiches.

The fatty pustule of a boy tore open the one side of the box, eagerly stripping the waxy paper from the sugary treat. Stuffing the black and white rectanglar sugary dessert in his maw, he oozed across the floor, toward a bench, on which he sprawled his spongy carcass. One hand securing the sandwich for steady bites, the other pulling out a massive smartphone. One grubby thumb activating some colorful mobile game with a lot of jangling sounds.

And there he sat. Slouched like some self-satisfied grotesque Buddha, kicking his feet in infantile glee, vanilla and chocolate lining his lips clownishly. His sweat clothes stuck to his round body like the plastic on those individual cheese slices.

“Sir, I can help you now,” some voice said from afar. I’d heard, but I was too in shock to move.

I couldn’t believe what I was seeing. It seemed impossible. And a whole number of implications were ping ponging around my head.

Firstly, this kid obviously had not had breakfast before he and his mother left the house that morning. Given the state of his hair, clothes, and sloppy demeanor, he’d likely rolled out of bed, and hopped in the car to go with mommy. Only for his hunger pangs to kick in after arriving.

Secondly, it was evidently acceptable in this kid’s household to eat ice cream for breakfast. And not just acceptable, but regularly occurring. The way the mom had offered this kid the sandwiches with an indulgent “there-he-goes-again” grin on her face made it obvious this wasn’t the first time.

Thirdly, it was acceptable for this kid to whine like a baby for food in public. Mind you, this kid wasn’t five or six. He looked about twelve.

Fourthly, it was okay to dress like a slob, and slouch around furniture. While loudly playing a stupid mobile game. And as if he wasn’t in public but at home in his living room.

And lastly, this kid had ZERO self-awareness of how ridiculous and pathetic he looked.

I tried to rationalize. Maybe this kid was disabled, or mentally ill, or had some kind of frontal lobe damage that explained his behavior.

But, no. He seemed lucid. Clearly dexterous enough to handle sucking on dessert while playing Candy Crush simultanenously. His eyes were clear. Everything about him looked normal, other than the flabbiness.

He was just a piece of sh*t, that’s all. And to say I hated that disgusting child is an understatement.

I wanted to punt that kid across the room.

But then I felt a smothering wave of sympathy for the boy, spiked with a righteous anger.

It wasn’t actually the kid I hated. Or even the mother, for allowing the kid to become a junior Blob. Though she certainly bears the blunt of the blame.

It was the growing trend of FAT ACCEPTANCE and widespread SUGAR INTAKE in this country, and all its unpleasant side effects on human behavior and thinking. A trend that prizes sloth. Swaps fitness and health for the dopamine pleasure high only sugar in factory-concentrated form can give. A trend that steals youth and energy, giving in its place sedentary cellulite. A trend that puts adolescents in the prime of puberty on a path to a life of early on-set diabetes, weakened joints, respiratory problems, heart disease, and a host of other ailments. A trend that turns ordinary human beings into shuffling, sliming, slouching, globular, sugar-addicted insects.

Growing up in the late ’80s and early ’90s, when I was the same age as this poor Wal-Mart kid, I remember that for every class of about 30 students, there was usually about one or two “fat” kids. But they werent even really fat. They were just “husky.” Big, but not looking like over inflated balloon animals.

Well, that ain’t the case anymore.

Recently, I was stopped at a crosswalk by a high school, and I had to wait for the river of kids to walk past the intersection. If I had to guess, I’d say up to half the teens were overweight.

A few years ago I returned to college to finish my degree. I was in an English class that was roughly two thirds female. Probably about half of them were obese. And I don’t mean a little junk in the trunk. I’m talking an ass cheek hanging out on both sides of the seat level of fatness. All slurping down their Starbucks milkshakes. Always complaining about their “anxiety” and “depression” out in the open, as if the classroom was their personal therapy session. I asked one of them — a chipmunk-cheeked chubbo — how often she exercised, and what her diet was like, as those two things have A LOT to do with your mental health. She looked at me like I had three heads. Then went back to listing off her preferred prescription psyche meds to her equally gelatinous girlfriend.

Silly me. I thought everyone knew a bad diet and no exercise can lead to poor physical and mental health. Who knew subsisting entirely on McDonald’s and Krispy Kreme doughnuts could turn you into a squishy, nerve-wracked mess?

I’ve known people who literally lived off of fast food. And I don’t mean that admitted grabby-handed weirdo Morgan Spurlock from Super Size Me. Real, actual people I’ve worked with, who never failed to have a Big Gulp soda gripped in hand. Men used to holster six-shooters on the Western frontier. In Medieval times, men carried swords and daggers. Nowadays, the only “weapons” people pack are shiny cola cans and Ding Dongs. The only dangerous “enemy” they’re concerned with — mild, momentary hunger.

When it comes to fast food, if I had to choose between swallowing nothing but Big Macs or a MAC-10, I’d say squeeze that trigger till it goes click.

We don’t need an annual State of the Union by the president. We need an Annual State of the Nation’s Waistline, which is forever expanding. We don’t need a nuclear Doomsday Clock, we need a Body Fat Caliper “Clock.” And by the way, we’re one minute to midnight.

Are people aware the Aviom Humans in Wall-E aren’t models to emulate?

Look, I can understand putting on a few pounds when you’re older. Women frequently pack on extra weight during and after childbirth that never quite goes away. Most middle-aged men get that typical pot-belly look if they’re not careful. Sometimes life’s responsibilities make it hard to follow a balanced diet and exercise the way you should. We can’t all be super jacked and hitting the gym like Patrick Bateman from American Psycho. I get it.

But when you look in the mirror and all you see is the Stay-Puft Marshmallow Man, wouldn’t some alarm bells go off? When you can barely fit in an airplane seat without rolls of fat spilling into the aisle and onto the next person, wouldn’t you think that that’s a little strange?

At one point does someone just accept that they’re going to cosplay as Violet Beauregarde after she chewed the three-course gum from Willy Wonka forever?

Are people confused about what foods are healthy or not? Here’s a little tip: If there’s a cartoon character on the box, it’s probably not good for you.

Meanwhile, that culturally acceptable fatness “trendline” seems to keep expanding outward. Before long, those walking signs on street corners are all going to have to be changed to the shape of beach balls in order to accurately reflect the typical human form.

And that’s a travesty, and totally unacceptable.

If people want to be fat, or are apathetic about fatness, that’s their prerogative. But I will never accept fatness as some kind of virtue or value in need “acceptance,” when it is actually destructive in every way to your health, and to society at large. I will not equivocate fatness with the civil rights movement, as so many causes are wont to do these days.

What is actually a travesty is that twelve-year old Wal-Mart boy, whose health has likely been destroyed for life, and all because of parental negligence, and food corporations that inject ungodly amounts of sugar into everything. It is very hard to undo the damage of obesity when you’ve been fat from youth. Not impossible, but very difficult.

The fatness trend and sugar consumption in this country are tantamout to self-abuse and slow suicide. No different than the smoking and casual day drinking seen in the ’50s and ’60s.

George W. Bush fretted about imaginary “weapons of mass destruction.” Except he wasn’t totally wrong. They exist. They’re sitting on the shelves at your local supermarket.

The Problematic Morality of the New Hellraiser Film

Source: Spyglass Media Group

The original 1987 Hellraiser was never an upper-tier horror film. It lacked the craft of Halloween, the dramatic intensity of The Exorcist, and the inventive charisma of The Nightmare on Elm Street.

Still, it stood ahead of derivative dreck like Friday the 13th, Critters, and a host of ’80s flicks largely forgotten or relegated to the cultural graveyard.

But where I always thought the original Hellraiser exceeded expectations as a gory B-movie was in its moral messaging. An odd thing to say, perhaps, about a story where deformed demons from hell torture people with chains and hooks. But Clive Barker’s story — based on his novella The Hellbound Heart — had the trappings of Catholicism’s divine retribution. The original is like a Victorian Gothic crossed with a hardcore BDSM porno, but anchored with the thematic strength of a fairy tale.

The main theme being that obsession with pleasure leads to self-destruction. In the first film, Frank, a low-life deviant always trying to push the boundaries of self-gratification through sexual experimentation, gets more than he bargained for when the Cenobites give him an experience “beyond limits.” Hell by overstimulation, if not excruciating pain. While we’re perhaps initially somewhat sympathetic to Frank’s plight — he all but assaults his brother’s wife when he comes to visit for the wedding — he quickly condemns himself when he conspires with his married lover to bring him fresh bodies to murder so he can reconstitute his flesh and return to the living. Even going so far as to murder his own brother so he can steal his skin.

Frank is deservedly recaptured by the Cenobites when he’s tricked into confessing his presence by his niece Kirsty, to be ripped apart again and sent back to hell. Kirsty, the “Snow White” of the tale, is saved, and through her ingenuity, is able to defend herself from the Cenobites, who then attempt to claim her soul for themselves after harvesting Frank’s.

As messy and dirty as the original Hellraiser is graphically, the moral is pretty tidy and clean. Perversity and deviance — explicitly sexual violence — are punished. Virtue and chastity are rewarded. And while one innocent is killed — Kirsty’s father — she avenges him by bringing the killer, Frank, to justice at the hands of the Cenobites.

I only ever saw the first two sequels, Hellbound and Hell on Earth, which seemed to largely capture the essence of that theme by degrading degrees. The rest of the sequels, which were direct-to-video, honestly looked too godawful to even warrant a glance.

Which brings us to the latest installment, starring Jamie Clayton as the iconic Pinhead.

The new Hellraiser (2022) is mostly a return to “form,” if you considered the original, and maybe the first two sequels solid B-classics. Visually, it appears more loyal to Barker’s concept of the gender ambiguous Cenobite demons as depicted in his source novella. Their bodily desecrations are also much more sexually explicit. Gone is the bondage leather of the ’80s. In its place flesh gruesomely woven and ribboned with decorative beaded pins and jewerly. Hey, you gotta keep up with modern fashion, even in hell.

The new gang of Cenobites are freakishly cool, though lacking perhaps some of the menace of the OG four. The new Chatterer feels a step down from the first, which bore the unforgettable wide-open maw secured by tightened barbed wire. Pinhead’s grid-hammered nails receive a shiny upgrade. It’s hard to top Doug Bradley’s portrayal. He’s sort of the “T-800” Terminator model of the Hellraiser universe. All brute force and physicality. Whereas Clayton’s presence is more like the T-1000 — scary in a Portuguese man-of-war gliding under the waves sort of way. But with her synthetically-enhanced voice and gleaming black eyes, combined with a slippery seductive sadism, she makes for a refreshing and satisfying new look from from Bradley’s stolid, detached-to-almost-bored manner as the reigning Hell Priest.

Where this new Hellraiser loses bite is the puzzling abandonment of the clear morality tale that anchored the first two (and somewhat the third).

The Lament Configuration was always about man’s obsession with pleasure, with those seeking to satisfy their unholy perversions getting their comeuppance. In this new one, even innocent people can be ripped apart by pure accident, and all just because the box sticks them, in effect “marking them” for death. Even the villain Roland Voight — a sort of Jeffrey Epstein — is (apparently) given some great final reward for his maliciousness. Turned into a kind of god, merging with the Leviathan entity as an angel/Cenobite. His flesh flayed open, his cheeks stripped to resemble an X-rated version of The Joker smile, yet seemingly enjoying, or at least tolerating, his unholy transfiguration. It makes for a strong final image, yes. But a woefully unsatisfying conclusion for such a disreputable character. Whereas Frank in the original, sleazy deviant that he is, gets what’s coming to him, and by no short measure.

This makes the theme of the movie muddled and problematic, to say the least. What is the overall message here? Suffering is random, so why bother trying to be a good person? The first Hellraiser bore the markings of a twisted Christian allegory. Like an extreme reimagining of The Rich Man and Lazarus. Or a deep cut side quest from the Sodom and Gomorrah tale. This new one teased at a “corrupting nature of power” theme, but was too timid to commit. What is it with so many new films afraid to take a stand outside of obvious politically fashionable convictions?

Then you have the main character, Riley. A boozing, drug-addicted trampy human blight who, with the help of her hunky two-faced boyfriend, steals the infamous puzzlebox, wreaking havoc on everyone around her. What consequences does she face, even after indirectly causing the death of her brother Matt— the one person who cared about her, and who allowed her to live in his apartment? None, other than some half-assed idea about lifelong regret, as stated by Pinhead. Riley is even given the opportunity to reject the rewards the Cenobites offer, when she realizes their “gifts” are actually horrifying mutilations of one form or another.

Then you have her other murdered or endangered friends. Nora, brutally slain for no other reason than tagging along with Riley, and just as quickly forgotten. And Colin, Matt’s boyfriend, gashed and almost killed. For sure, Trevor, Riley’s double-crossing man candy, faces a final deserved judgement. But only because Riley happens to stick him with the pointy puzzlebox. Even the Cenobites themselves are strangely not immune from random fate, with the new Chatterer getting poked, and facing a Frank-style chain-and-hook-ripping end. Which left me wondering how a soul already condemned to hell can be targeted again by the box. I guess the concept of double jeopardy doesn’t apply to the realm of Leviathan.

In the first two Hellraiser films, and for some of the third, there was a sense of fairness. Of rules. A distinct moral line between good and evil. The Cenobites themselves occupied a gray area. Not necessarily “bad,” as they only targeted souls who asked for pleasures beyond reasonable mortal constraints, showing up to give them (more or less) what they asked for. Summoned by “desire,” not hands, as Pinhead states in the first sequel.

But in this new one nihilism and chaos apparently rule the day. Innocents are butchered. And the guilty and disreputable allowed to manipulate the levers of fate over others. Perhaps this new Hellraiser best serves as an allegory for social media than drug addiction, as it’s purported to be. Riley is no sooner flopped over brain dead from pills than suddenly up solving ancient puzzles and outwitting demons from another realm. The whole drug addiction theme goes by the wayside soon after.

If there’s a “moral” in this new Hellraiser other than the hopeless “the universe is random and cruel,” perhaps it’s to carefully mind the company that you keep. The weakest link in your group may just snap back at you with a hook on the end.

Some First Impressions of Pittsburgh, PA

Lots of hills and bridges in a well-kept, industrious city. Six observations.

View from Grandview Ave. Photo taken by author.

Recently, I’ve moved from the oil patch of western North Dakota back to my home state of Pennsylvania. Even though I was actually born in Colorado, I consider PA my home, particularly the Main Line Philly suburbs. I grew up and lived in the eastern part of the state for most of my life, leaving a few times for brief sojourns in Chicago and Memphis, until my 2012 self-abduction to North Dakota to work in the Bakken.

I’ve spent the last ten and a half years living in ND, which has been akin to completing a lengthy prison sentence. While the Great White North is a burgeoning “Jobtopia” — the oil boom is still entrenched and virile with high-paying opportunities , FYI— it lacks in many other categories. No one moves to ND for the culture, community, infrastructure, education, or social life. You move there to work. That’s it.

Oh, and freeze. As it’s winter there for about eight months of the year.

Other than a brief visit to Pittsburgh back in 2011 for a role as an extra in The Dark Knight Rises stadium explosion scene, and driving through the region to get somewhere else, I never spent much time, or gave much thought to Philly’s coal-covered steely sibling city.

It’s only been a few days since I’ve arrived, but here are a few first impressions:

1a.) The Cost of Living Seems Manageable

This was one of my reasons for moving to western PA in the first place. As much as I love the Philly area, it’s become far more costly to successfully live there on even a decent salary than when I finally left in 2012. Then I had a one-bedroom off Germantown Avenue in West Philly that went for $495 a month. It was in a lower-middle class working neighborhood, but it wasn’t a totally bad set-up. I doubt you’d be able to find something anywhere close to that price range now. I also lived in University City before, right near Baltimore Pike. I think my rent back then (mid-2000s) was also around $600 for a studio apartment with a shared bathroom. Nowadays that same dwelling is likely going for closer to $1,000.

In all of my apartment/housing searches of the Pittsburgh area, I kept finding a range between $800-$1400 a month for apartments within the city limits. This is actually pretty good relative to what you would find in Philly, or almost any other major city near the coasts. You can even find nice high-rise apartments right downtown for as low as $1300-$1400, though there are plenty past the $2000 mark. To put that in perspective, in Center City Philadelphia, you’d probably pay about double that. And forget about NYC, Boston, L.A. or most other places.

For even more perspective, my old apartment in ND was almost $900 for a nice two-bedroom. Decent apartments also go for about that in Fargo. So even in the far less populated Dakotas you’re still getting hit with higher rent costs, while not getting nearly the comprehensive quality of living (and therefore the value for your money) as you would get in a more developed region.

Lower rent is especially important these days, as living costs have skyrocketed in most places due to inflation and rising demand. Expensive states like California, New York, and Illinois have obviously seen an exodus in favor of less costly places like Texas, Florida, and Tennesse in recent years. But I’m sure the trend is there at the intra-state micro level, such as between Philadelphia and western PA.

I haven’t yet switched my car insurance yet to PA. But from what I’ve seen in the estimate, it’s not substantially higher than what I was paying in ND. Gas is higher in PA. Taxes will likely be higher here. And then there’s the famous Pennsylvania Turnpike charges.

Food costs are right in line with ND. Really, if you shop at Wal-Mart or Amazon Whole Foods you’re likely paying similarly no matter where you live. Where bigger cities can kill you is if you’re a big restaurant-eater. I am not, so for me, the cost of food is unlikely to change much.

It’s not all roses, but from a value perspective, the cost of living appears appropriately fair and not “rapey” in the Pittsburgh area.

To go along with the overall cost of living:

1b.) You Can Actually Buy a Decent House Here

This isn’t so much a Pittsburgh thing as it is a western PA/eastern Ohio/midwest thing.

I was pleasantly surprised to see that there are a wide variety of attractive homes available in the general region for under $250,000. And I don’t mean cheaply-made factory-assembly-line “shoeboxes,” as you’ll generally find in ND or other upper midwest places. I mean homes made of real wood, brick, and stone fit for human occupancy. In most of ND, the choices are polarized between overpriced hamster houses that are 100 years old, or shoddily-stuck-together new construction suburban cages (that are also overpriced).

Even if I’m not quite in the market for a house at the moment, like many others, I enjoy ogling at my share of “house porn.” Even screening for 3-bedroom/two-bathroom houses starting at $100k+, Zillow shows a lot of individual suburban homes for sale. Standalone houses, not twins. With yards. Off-street parking. And right in the sweet-spot range of $250,000-$300,000. By contrast, the Philly suburbs generally starts at about $300,000-$350,000 for a twin home, with $400,000-$450,000 and up generally your price range for an individual home. Even still, the Main Line Philadelphia region offers the best value for your money for high-end living compared to pricier suburbs in Boston , D.C. or L.A.

With interest rates rising, and housing becoming more and more in demand in most parts of the country, it’s nice to see an “oasis” of affordability and availability. I’ve also heard that house-flipping is still in vogue and profitable in the western PA/Ohio region. That’s not surprising. Outside the city limits, there are a lot of fixer-uppers going for well under $200k.

2.) It’s Mostly Clean and Well-Kept

Like any major city, you’re going to see your fair share of flicked cigarette butts, discarded McDonald’s wrappers, and tossed water bottles. But there’s a big difference between “tolerable littering” and a city that seems more like a dumping ground than a habitable zone. Pittsburgh citizens seem to really care for and respect their city.

Even for a town that’s been around since the 1700s, there’s a glossy Windex-sheen to the surface that you don’t see in other places of equal population or history. Even the graffiti under bridges and in discreet spots is minimal. I took a hiking detour through the woods near one of the rivers, and what trash and gang markings I found seemed more like afterthoughts than nefarious types staking their claim.

3.) It’s Hilly as Hell

At least in some areas. I thought San Francisco was supposed to be the famous “hill zone,” but Pittsburgh measures up also. The photo at the top of this article is from a vantage point on Grandview Avenue, a fantastic place for sight-seeing that more than earns its namesake

North Dakota is almost entirely flat. So going from that to Pittsburgh is somewhat of a shock to the system. Especially when you drive a stick shift vehicle like myself. No joke, some of the inclines I’ve seen give me anxiety just thinking about trying to drive up them with my car.

I am not a fan of hills for driving on or walking, so for me —

No, let me rephrase that —

I f*cking hate hills.

And they constitute a ding on the city overall.

Hills are good for getting a good view of your surroundings, yes. But they’re a pain to traverse, and visually unsightly. I prefer a less dramatic topography with more symmetry and evenness than land that looks like it’s sitting on top of a stormy ocean. But that’s just me.

4.) It’s Walkable

Pittsburgh might be nicknamed the Steel City. But it could also be called the City of Ripped Thighs and Calves.

Moving past my hill-hostility, it’s nice to finally live in a major city that’s easy and inviting to walk through. In North Dakota, as in most parts of the remote upper midwest, everything is miles apart. But downtown Pittsburgh is easy to get to even if you live on the other side of the rivers. I walked from almost one side to the other yesterday in about three hours, stopping in the direct center at Point State Park Fountain.

And yes, my calves, glutes, abductor magnus, sartorius, and pretty much every muscle group in my lower body are all singing like a mega church choir this morning.

5.) Bridges Everywhere

Not exactly surprising when you have three major rivers intersecting right next to your city’s downtown. The Allegheny and Monongahela rivers merge to make the Ohio at the confluence at Point State Park. So naturally this necessitates having a ton of bridges stretching across the rivers in order to connect the three pieces of the city. It’s an unusual set-up, but visually striking.

I’ve never been in a place that requires so many bridges. And other than ones meant solely for trains, they’re all walkable as well. So you can stop in the middle and get a good look at all the river traffic below. Or maybe have the chance to try to talk someone out of jumping off. I saw a good bit of inspirational “don’t jump” — themed messages in permanent black marker on the railings and girders on several bridges. Now, I’m no expert on how high a bridge needs to be in order to be lethal to jump from, but Pittsburgh doesn’t exactly have the Golden Gate Bridge. And I say if you’re going to make that final swan leap to oblivion, why not do it from a place with some brand name recognition? I think a jump from Liberty Bridge would just result in you getting soaked and embarassing yourself.

6.) Traffic Isn’t Completely Soul-Destroying

If you want a demoralizing, frustrating experience that will makae you hate your fellow man, hop on either route 95 or 76 during rush hour in the Philadelphia-area.

Or better yet, just drive anywhere in New Jersey. I still have PTSD and flashbacks from some of the vicious soccer moms whipping around me at 90 MPH in their Chevy Suburbans and Dodge Minivans, just to be ahead by five seconds at the next red light.

East coast driving is not for the faint of heart. Thankfully, Pittsburgh seems just far enough away from the teeth of the Traffic Monster.

Yeah, it’s still bad sometimes. There’s still rush hour. It’s a major city, afterall. And coming from the Martian landscape of ND back to PA you’re bound to feel throttled by all the extra cars and drivers.

But some perspective here, please. Pittsburgh traffic is not nearly as bad as Philly traffic. It’s still bordering the midwest, so drivers, while impatient and rambunctious, don’t have the same murderous devil-may-care nature you only find in cities like Philly, L.A., and elsewhere.

I’ve driven around here during multiple times. Morning, afternoon, night, etc. And rarely did I see a lot of red on my Google map direction app.

Were there on occassion some nasty acidents? Yes. It’s a city, so they’re bound to happen. But unlike the sadomasochism you’ll find in Philly or New York, traffic doesn’t feel like a big part of Pittsburgh’s DNA.

In Conclusion

I’m only a new resident here. Maybe some of these first impressions aren’t entirely “big picture.” But they’re are all honest.

Pittsburgh overall seems like a decent, practical city.

In fact, “practical” is probably the word I’d best use to decribe it. As picturesque as much of the city is, that’s more due to the landscape than the architecture. The buildings and bridges possess more of a functional aesthic. They get the job done. None of the skyscapers are particuarly stand-out. Most have a plain grid pattern. The parks near the river fronts are magnificent. And I like how both the football and baseball stadiums are placed right by the river. It’s fall right now. But it’ll be interesting see this city during the snowy winter.

Will Pittsburgh ever be “home.” No. I don’t see myself staying here for life, if even for a year. But it makes for a decent stop.

How Much Some Popular Animations Cost to Produce

Photo by khairul nizam from Pexels: https://www.pexels.com/photo/gray-and-black-alien-drawing-16516/

A look into the costs of cartooning.

As a lover of random trivia, and as someone who fantasizes about producing an animation myself one day, I’ve lately become fascinated by the production costs of popular cartoons.

Some of the numbers are pretty mind blowing, as are the production schedules. A typical episode of Rick and Morty, for instance, takes upwards of a year to produce. That seems a pretty short amount of time considering some of the crazy worlds and dimensions that show involves.

While you’d think most of the production costs in cartoons goes to the actual animation itself — which is often time-consuming and intricate— sometimes the lion’s share actually goes to the voice talent, as is seen on many network shows.

Starting at the high end and working down, a look into the costs of cartooning:

Family Guy

By The logo may be obtained from 20th Television Animation., Fair use, https://en.wikipedia.org/w/index.php?curid=28958532

According to various sources, it costs about $2 million to produce an episode of Seth MacFarlane’s long-running cartoon sitcom. Or roughly $100,000 per random cutaway per episode. There were many different websites that reported this number, though they all seemed to link back to a singular source — an article titled “Cutting Costs” hosted by Penn State, about how TV anime is produced.

Digging deeper, I found out some of the reasons why the budget is so freaking high for Peter Griffin’s shenanigans. The answer is somewhat obvious. It has an all-star voice cast that’s been making serious bank the last 10+ years of the show’s run.

Hollywood Reporter reports that the top four cast members each make between $175,000 to $225,000 per episode. That article is from 2013. It could be even higher now. But multiple searches, even ones dated more recently, kept pointing back to those figures. If they’re still accurate, that means half the budget for Family Guy is taken up by payroll for the top voices. That’s a huge slice of the pie for talent, even considering that Seth McFarlane does the voices for a number of characters. But not exactly surprising. Talent often requires a big pay out for entertainment. The Rock made $30 million from Red Notice, for instance.

Rick and Morty

By Justin Roiland and Dan Harmon — Rick and Morty, Public Domain, https://commons.wikimedia.org/w/index.php?curid=123362522

Trying to find specific budget numbers for Justin Roiland and Dan Harmon’s popular Doc Brown and Marty McFly-inspired cartoon proved tricky. But you can tease out an estimate by looking at another popular edgy animation — South Park — and then compare production styles. For that, I found a thread on the Rick and Morty subreddit addressing the inquiry “Why does it take so long to make Rick and Morty episodes?” A user who has since deleted their handle makes the observation:

South park uses Maya, a 3d animation software, to create their episodes. This means they can reuse most of their assets (even animations) without the need to remake anything…Rick and Morty uses Toonboom Harmony, which speeds the process up in comparison to old-fashioned hand-drawn animation, but is still much slower than South Park.

The user goes on to compare how South Park sacrifices “story” for “topicality” whereas Rick and Morty favors the opposite approach. According to Inverse via director Erica Hayes, a single episode of Rick and Morty takes anywhere between nine and twelve months from idea to completion. South Park is famously written, animated, and voiced all in a single week. But as the mysterious unknown Redditor pointed out, the Colorado-set raunchy cartoon thrives on churning out content that captures the immediate zeitgeist, over mulling complex narratives or long story arcs.

So, if Family Guy, a major network cartoon, costs $2 million per episode, as previously stated, while South Park, with all its cost-cutting and technological efficiencies, still runs somewhere between $500k and $1 million per episode, then it’s possible that Rick and Morty costs somewhere in-between, but probably on the lower end. Say, maybe around $1.2–$1.5 million per episode. Unlike Family Guy or The Simpsons, Rick and Morty doesn’t have an all-star cast that eats up half the show’s budget. Most of the show’s costs probably goes into the animation itself.

One Piece

By One Piece — [1], Fair use, https://en.wikipedia.org/w/index.php?curid=59845883

So basically, your popular, highly-quoted cartoons that have wedged themselves into the American public consciousness are going to run upwards of a million per episode or more. That’s not surprising. The Simpsons cost as much as $5 million per episode back in 2011.

What’s more interesting are the shockingly low budgets of anime shows like One Piece, a popular Japanese cartoon that’s been running since 1999. Medium writer, and researcher of Japanese culture, Jason Muell, in his article, “How Much Does it Cost to Produce an Anime Episode?” writes that in 2002 it cost 10.75 million yen to make one episode. That’s roughly $74,280 in pre-Wall Street bailout, pre-COVID, pre-QE infinity dollars.

According to the CPI Inflation Calculator, that means an episode of One Piece would run to about $122,287.84 in today’s Fed-pumped Monopoly money. That’s $5,095 per minute, and almost $85 per second. Still not bad for a 24-minute cartoon with over 1,000 episodes and counting.

In case you weren’t aware, Japan is a powerhouse in the animation industry. So it makes sense that it would have cracked the code on how to profitably churn out cartoons in a cost-efficient manner. TMS Entertainment, one of the most famous and prominant production studios, and a subsidiary of Sega Sammy Holdings since 2010 (yes, as in the Sega gaming system) basically made ALL of the popular 1980s/’90s cartoons Millennials know and love. Shows like Inspector Gadget, The Real Ghostbusters, and Batman: The Animated Series, and many more.

YouTube Cartoons or Ultra Low-Budget Animation

How much would it cost to make your own independent cartoon?

Okay, so for the average person, the above budgets are obviously way out of reach. But let’s say you wanted to make something super cheap that was only a few minutes long. Like those corporate explainer videos, or a funny short.

Well, unless you’re able to do all the drawing yourself, it’s still going to cost you anywhere between $3,000 and $7,000 for simple 2D animation. That’s according to ProductionHUB, which also points out that those numbers DON’T include other important things like the screenplay, voiceover, or music. For higher quality animation, ProductionHub notes that you could pay $10,000 to as much as $1,000,000 a minute for animation.

One million dollars per minute? Wow. That’s Pixar movie territory.

You can see why Seth MacFarlane wears so many hats as a writer, director, producer, and voice talent on Family Guy. You’ve got to cut costs anywhere you can in cartooning.

Even those “low” numbers ProductionHUB quoted are ridiculous. It makes me wonder how animated channels like Kurzgesagt — In A Nutshell or The Infographics Show on YouTube get by, despite having tens of millions of subscribers.

Let’s say you were still determined to make a simple cartoon of your own. This seems doable, despite the heavy costs at even the low-end of the scale. Back before YouTube became dominant, amateur animators made all kinds of shorts and even long-running series on the site Newgrounds. Salad Fingers, a creepy viral animation created by David Firth, initially appeared on Newgrounds in 2004, and has since built up a cult following.

But supposing you’re not able to draw. Or you don’t have the time or talent to master the intricacies of digital animation programs like Adobe Animate or Blender. And you’re on a tight budget. Well then, you’re pretty much relegated to finding freelance artists on a site like Fiverr.

I looked under the Video & Animation section at the popular freelance marketplace for an idea of what creating an animation might potentially cost. For professional 3D character animation, Pakistan-based provider rocky_shane charges between $2,000 and $5,500 for 60 seconds. That higher price includes 3D modeling, rigging, detailed movements, and four characters. The provider doesn’t mention anything about voiceover work, scripting, or music, so it’s likely you’d have to provide that yourself. That might mean then hiring an editor to mix all the seperate components together seamlessly, which would incure further costs, assuming you’re not doing all of that yourself.

So, if you were trying to make a cartoon with a story narrative, you’re looking at minimum of $55,000 for a ten-minute short, not including all the extra stuff mentioned. Or $132,000 for a full 24-minute episode. Pretty steep, but that’s actually right in line with One Piece’s almost $122,000 cost per episode.

U.S.-based provider gallywix offers a more comprehensive animation service that includes full backgrounds, editing, consultation, and syncing supplied voicover and royalty-free music. But only for two characters. For the advanced quality package, all of that will run you $12,500 per minute in “basic style.” That’s your typical generic-looking cartoon. For something more complex like Futurama, the provider charges $25,000 per minute. And then for even higher quality, like Adventure Time, $75,000 per minute.

There are certainly cheaper alternatives on Fiverr. I screened out for “professional” services only, as that is where you’d realistically want to go if you were serious about making a legit (albeit low-budget) cartoon. If you just wanted something really simple and basic, there are likely plenty of artists you could find at a lower cost. But probably not by much.

Given those still-pretty-high costs savings for freelancers, you’re probably better off paying for a course to learn an animation software yourself, in addition to taking art lessons. Even if you end up with something really crude-looking, if people like the story or characters, you could still potentially build up a good following. For example, there are a ton of amateur “Wojak” animations on YouTube that use clip art, static backgrounds, and automated voiceovers. And they’re actually super popular. Low Budget Stories has 335,000 subscribers, for instance, and that channel only started a year ago.

Animation is not cheap, to say the least. Most of your successful YouTube/independent productions are made by the artists themselves, who likely spent years honing their craft. If that sounds daunting, remember that Stan Lee, the founder of Marvel Comics, couldn’t draw. He was a writer/editor. And he did pretty well in the end.